The Group of Seven & Emily Carr
In my brief wanderings I rubbed up against the term "The Group of Seven" in conjunction with Emily Carr. Apparently she is not considered to be one of the original seven. Here's Wiki's take:
The Group of Seven — sometimes known as the Algonquin school — were a group of Canadian landscape painters from 1920 to 1933, originally consisting of Franklin Carmichael (1890–1945), Lawren Harris (1885–1970), A. Y. Jackson (1882–1972), Frank Johnston (1888–1949), Arthur Lismer (1885–1969), J. E. H. MacDonald (1873–1932), and Frederick Varley (1881–1969).
Two artists commonly associated with the group are Tom Thomson (1877–1917) and Emily Carr (1871–1945). Although he died before its official formation, Thomson had a significant influence on the group. In his essay "The Story of the Group of Seven", Lawren Harris wrote that Thomson was "a part of the movement before we pinned a label on it"; Thomson's paintings "The West Wind" and "The Jack Pine" are two of the group's most iconic pieces.[1] Emily Carr was also closely associated with the Group of Seven, though was never an official member.
Believing that a distinct Canadian art could be developed through direct contact with nature,[2] The Group of Seven is most famous for its paintings inspired by the Canadian landscape, and initiated the first major Canadian national art movement.[3] The Group was succeeded by the Canadian Group of Painters in the 1930s, which did allow female members.[4]
[From Wikipedia: http://en.wikipedia.org/wiki/Group_of_Seven_(artists)]
The Group of Seven — sometimes known as the Algonquin school — were a group of Canadian landscape painters from 1920 to 1933, originally consisting of Franklin Carmichael (1890–1945), Lawren Harris (1885–1970), A. Y. Jackson (1882–1972), Frank Johnston (1888–1949), Arthur Lismer (1885–1969), J. E. H. MacDonald (1873–1932), and Frederick Varley (1881–1969).
Two artists commonly associated with the group are Tom Thomson (1877–1917) and Emily Carr (1871–1945). Although he died before its official formation, Thomson had a significant influence on the group. In his essay "The Story of the Group of Seven", Lawren Harris wrote that Thomson was "a part of the movement before we pinned a label on it"; Thomson's paintings "The West Wind" and "The Jack Pine" are two of the group's most iconic pieces.[1] Emily Carr was also closely associated with the Group of Seven, though was never an official member.
Believing that a distinct Canadian art could be developed through direct contact with nature,[2] The Group of Seven is most famous for its paintings inspired by the Canadian landscape, and initiated the first major Canadian national art movement.[3] The Group was succeeded by the Canadian Group of Painters in the 1930s, which did allow female members.[4]
[From Wikipedia: http://en.wikipedia.org/wiki/Group_of_Seven_(artists)]
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