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Showing posts with the label Illuminations

ESSAYS: BENJAMIN ON KAFKA

Let us consider the village at the foot of Castle Hill whence K.’s alleged employment as a land surveyor is so mysteriously and unexpectedly confirmed. In his Postscript to The Castle Brod mentioned that in depicting this village at the foot of Castle Hill Kafka had in mind a specific place, Zürau in the Erz Gebirge. We may, however, also recognize another village in it. It is the village in a Talmudic legend told by a rabbi in answer to the question why Jews prepare a festive evening meal on Fridays. The legend is about a princess languishing in exile, in a village whose language she does not understand, far from her compatriots. One day this princess receives a letter saying that her fiancé has not forgotten her and is on his way to her. The fiancé, so says the rabbi, is the Messiah; the princess is the soul; the village in which she lives in exile is the body. She prepares a meal for him because this is the only way in which she can express her joy in a village whose language she...

SEEMINGLY APROPOS QUOTE FROM THE BIG K ...

Almost passed it by (I was heading to the "real" text of Benjamin's Illuminations and it was at the end of the intro): a great (essential) Kafka quote. Can't believe I didn't post it already (maybe I did), can't believe I didn't drown it in yellow or underscore it a score of times in the hardcopy (maybe I'll look eventually). * “Anyone who cannot cope with life while he is alive needs one hand to ward off a little his despair over his fate . . . but with his other hand he can jot down what he sees among the ruins, for he sees different and more things than the others; after all, he is dead in his own lifetime and the real survivor.” —Franz Kafka, DIARIES, entry of October 19, 1921

From Benjamin's "Illuminations"

From "The Task of the Translator" (a bit wrenched from context): Art, in the same way, posits man's physical and spiritual existence, but in none of its works is it concerned with his response. No poem is intended for the reader, no picture for the beholder, no symphony for the listener.

Benjamin (Reloaded)

Really enjoyed "Scholem on Benjamin" so I've decided to reread Benjamin's Illuminations . Last read it when I was still "tied to paper," but this time I'm taking it on via Kindle. Should "take me home" re the semester finale. * A single clip from Hannah Arendt's Intro re Benjamin: To describe adequately his work and him as an author within our usual framework of reference, one would have to make a great many negative statements, such as: his erudition was great, but he was no scholar; his subject matter comprised texts and their interpretation, but he was no philologist; he was greatly attracted not by religion but by theology and the theological type of interpretation for which the text itself is sacred, but he was no theologian and he was not particularly interested in the Bible; he was a born writer, but his greatest ambition was to produce a work consisting entirely of quotations; he was the first German to translate Proust (t...