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Henry James: In the Cage

This morning everything changed, but rather to dreariness; she had to swallow the rebuff to her theory about fatal desires, which she did without confusion and indeed with absolute levity; yet if it was now flagrant that he did live close at hand—at Park Chambers—and belonged supremely to the class that wired everything, even their expensive feelings (so that, as he never wrote, his correspondence cost him weekly pounds and pounds, and he might be in and out five times a day) there was, all the same, involved in the prospect, and by reason of its positive excess of light, a perverse melancholy, a gratuitous misery.  This was at once to give it a place in an order of feelings on which I shall presently touch.

Henry James: Daisy Miller

By this time Daisy had turned her attention again to Winterbourne. "I've been telling Mrs. Walker how mean you were!" the young girl announced. "And what is the evidence you have offered?" asked Winterbourne, rather annoyed at Miss Miller's want of appreciation of the zeal of an admirer who on his way down to Rome had stopped neither at Bologna nor at Florence, simply because of a certain sentimental impatience. He remembered that a cynical compatriot had once told him that American women--the pretty ones, and this gave a largeness to the axiom-- were at once the most exacting in the world and the least endowed with a sense of indebtedness.

Henry James: Hawthorne

Certainly, I am inclined to think, if one had encountered these delicate, dusky flowers in the blossomless garden of American journalism, one would have plucked them with a very tender hand; one would have felt that here was something essentially fresh and new; here, in no extraordinary force or abundance, but in a degree distinctly appreciable, was an original element in literature. When I think of it, I almost envy Hawthorne's earliest readers; the sensation of opening upon The Great Carbuncle, The Seven Vagabonds, or The Threefold Destiny in an American annual of forty years ago, must have been highly agreeable.

Henry James: The Figure in the Carpet

"By my little point I mean--what shall I call it?--the particular thing I've written my books most FOR. Isn't there for every writer a particular thing of that sort, the thing that most makes him apply himself, the thing without the effort to achieve which he wouldn't write at all, the very passion of his passion, the part of the business in which, for him, the flame of art burns most intensely? Well, it's THAT!" I considered a moment--that is I followed at a respectful distance, rather gasping. I was fascinated--easily, you'll say; but I wasn't going after all to be put off my guard. "Your description's certainly beautiful, but it doesn't make what you describe very distinct." "I promise you it would be distinct if it should dawn on you at all." I saw that the charm of our topic overflowed for my companion into an emotion as lively as my own. "At any rate," he went on, "I can speak for myself: there's an ...

Henry James: The Aspern Papers

There could be no Venetian business without patience, and since I adored the place I was much more in the spirit of it for having laid in a large provision. That spirit kept me perpetual company and seemed to look out at me from the revived immortal face--in which all his genius shone--of the great poet who was my prompter. I had invoked him and he had come; he hovered before me half the time; it was as if his bright ghost had returned to earth to tell me that he regarded the affair as his own no less than mine and that we should see it fraternally, cheerfully to a conclusion. It was as if he had said, "Poor dear, be easy with her; she has some natural prejudices; only give her time. Strange as it may appear to you she was very attractive in 1820. Meanwhile are we not in Venice together, and what better place is there for the meeting of dear friends? See how it glows with the advancing summer; how the sky and the sea and the rosy air and the marble of the palaces all shimmer and m...

Henry James: The Aspern Papers

One doesn't defend one's god: one's god is in himself a defense.

Henry James: Washington Square

"She's going to stick, by Jove! she's going to stick." "Do you mean that she is going to marry him?" Mrs. Almond inquired. "I don't know that; but she is not going to break down. She is going to drag out the engagement, in the hope of making me relent." "And shall you not relent?" "Shall a geometrical proposition relent? I am not so superficial." "Doesn't geometry treat of surfaces?" asked Mrs. Almond, who, as we know, was clever, smiling. "Yes; but it treats of them profoundly. Catherine and her young man are my surfaces; I have taken their measure." "You speak as if it surprised you." "It is immense; there will be a great deal to observe." "You are shockingly cold-blooded!" said Mrs. Almond. "I need to be with all this hot blood about me. Young Townsend indeed is cool; I must allow him that merit."

Henry James: Washington Square

The Doctor had been rather disappointed at not finding his compact and comfortable little hostess surrounded in a more visible degree by the ravages of Morris Townsend's immorality; but he had said to himself that this was not because the young man had spared her, but because she had contrived to plaster up her wounds. They were aching there, behind the varnished stove, the festooned engravings, beneath her own neat little poplin bosom; and if he could only touch the tender spot, she would make a movement that would betray her. The words I have just quoted were an attempt to put his finger suddenly upon the place; and they had some of the success that he looked for. The tears sprang for a moment to Mrs. Montgomery's eyes, and she indulged in a proud little jerk of the head. "I don't know how you have found that out!" she exclaimed. "By a philosophic trick--by what they call induction. You know you have always your option of contradicting me. But kindly answer...

Henry James: Washington Square

She confessed that she was not particularly fond of literature. Morris Townsend agreed with her that books were tiresome things; only, as he said, you had to read a good many before you found it out.

Henry James: Washington Square

In those days in New York there were still a few altar-fires flickering in the temple of Republican simplicity, and Dr. Sloper would have been glad to see his daughter present herself, with a classic grace, as a priestess of this mild faith. It made him fairly grimace, in private, to think that a child of his should be both ugly and overdressed. For himself, he was fond of the good things of life, and he made a considerable use of them; but he had a dread of vulgarity, and even a theory that it was increasing in the society that surrounded him.

Henry James: Washington Square

Once, when the girl was about twelve years old, he had said to her: "Try and make a clever woman of her, Lavinia; I should like her to be a clever woman." Mrs. Penniman, at this, looked thoughtful a moment. "My dear Austin," she then inquired, "do you think it is better to be clever than to be good?" "Good for what?" asked the Doctor. "You are good for nothing unless you are clever."

I am a painter too!

"Ranch' io son pittore!" I cried. "Unless I am mistaken, you have a masterpiece on the stocks. If you put all that in, you will do more than Raphael himself did. Let me know when your picture is finished, and wherever in the wide world I may be, I will post back to Florence and pay my respects to--the MADONNA OF THE FUTURE!"

The Madonna of the Future

The young James Joyce has gone from Trieste to Pola. In a letter to his brother Stannie he says that Nora's making his cigarettes and that he's going to buy Henry James' story "The Madonna of the Future" (which I've never read) that very day. Then JJ finishes the letter with the seemingly frustrated:  "I really can’t write. Nora is trying on a pair of drawers at the wardrobe Excuse me." & I check my Kindle trove and sure enough: I have the Madonna. I'll pingpong between the two Jameses.:) Excerpt: We live in the evening of time! We grope in the gray dusk, carrying each our poor little taper of selfish and painful wisdom, holding it up to the great models and to the dim idea, and seeing nothing but overwhelming greatness and dimness. The days of illumination are gone! We live in the evening of time! We grope in the gray dusk, carrying each our poor little taper of selfish and painful wisdom, holding it up to the great models and to the dim ide...