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Showing posts from February, 2020

Colorado Lagoon @ Morning [Leap Day: 2/29/20]

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Shestov [2/9/20]

A quarter of a century has passed. So far nothing has happened in Europe. But we are drowning ourselves, literally drowning ourselves, with blood. Not only is our alien population oppressed, Slav and non-Slav alike, but our own brother is tortured, the miserable starving Russian peasant who understands nothing at all. In Moscow, in the heart of Russia, women, children, and old men have been shot down. Where now is the Russian universal soul of which Dostoevsky prophesied in his speech on Pushkin? Where is love, where are the Christian precepts? We see only 'Governmentalism,' over which the Western nations also fought; but they fought with means less cruel and less hostile to civilisation. Russia will again have to learn from the West as she had to learn more than once before. And Dostoevsky would have done far better had he never attempted to prophesy. But there is no great harm done even if he did prophesy. I am glad with all my heart even now that he rested a little while

A Few New Poems Are Up At OTOLITHS

Four R L Swihart poems at OTOLITHS .

Shestov on Chekhov

Left Zagajewski and have settled on some Shestov essays I found on Amazon. The first is on Chekhov. It's Shestov working on Chekhov. A sample: To define his tendency in a word, I would say that Tchekhov was the poet of hopelessness. Stubbornly, sadly, monotonously, during all the years of his literary activity, nearly a quarter of a century long, Tchekhov was doing one thing alone: by one means or another he was killing human hopes. * There is no detailed biography of Tchekhov, and probably will never be, because there is no such thing as a full biography—I, at all events, cannot name one. Generally biographies tell us everything except what it is important to know. Perhaps in the future it will be revealed to us with the fullest details who was Tchekhov's tailor; but we shall never know what happened to Tchekhov in the time which elapsed between the completion of his story The Steppe and the appearance of his first drama. If we would know, we must rely upon his works a

Lev Shestov (Portrait by Leonid Pasternak, 1910)

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