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From Alberto Moravia's "Boredom"

Believe it or not, I was magically transported from 1 PM to 3 PM today -- via Moravia's Boredom, or was it something more -- and thus passed through the fires of a gruelling day. * Perhaps he had indeed been a sort of madman, but he was a madman whose madness consisted in an illusion of having a relationship with reality, that is, of being a wise man, as his paintings bore witness, whereas I -- as I could not help saying to myself -- was possibly a wise man whose wisdom consisted, on the contrary, in a profound conviction that such a relationship was impossible, that is, a wise man who believed himself mad.

Alberto Moravia

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Alberto Moravia , a photo by UmberTimes on Flickr.

Alberto Moravia (1907 - 1990)

Finished with Lardner's short stories; a few pages left in Pnin ; have just started Moravia's Boredom . Alberto Moravia , born Alberto Pincherle (November 28, 1907 – September 26, 1990) was an Italian novelist and journalist . His novels explored matters of modern sexuality , social alienation , and existentialism . He is best known for his debut novel Gli indifferenti (published in 1929), and for the anti-fascist novel Il Conformista ( The Conformist ), the basis for the film The Conformist (1970) by Bernardo Bertolucci . Other novels of his translated to the cinema are Il Disprezzo ( A Ghost at Noon or Contempt ) filmed by Jean-Luc Godard as Le Mépris ( Contempt ) (1963); La Noia ( Boredom ), filmed with that title by Damiano Damiani in 1963 and released in the US as The Empty Canvas in 1964; and La Ciociara filmed by Vittorio de Sica as Two Women (1960). Cedric Kahn 's L'Ennui (1998) is another version of La Noia . He was an atheist. [From W