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Showing posts with the label Proust's Little Project
Odette and Jethro's Daughter
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He placed on his study table, as if it were a photograph of Odette, a reproduction of Jethro's daughter. He would gaze in admiration at the large eyes, the delicate features in which the imperfection of the skin might be surmised, the marvellous locks of hair that fell along the tired cheeks; and, adapting to the idea of a living woman what he had until then felt to be beautiful on aesthetic grounds, he converted it into a series of physical merits which he was gratified to find assembled in the person of one whom he might ultimately possess. The vague feeling of sympathy which attracts one to a work of art, now that he knew the original in flesh and blood of Jethro's daughter, became a desire which more than compensated, thenceforward, for the desire which Odette's physical charms had at first failed to inspire in him. When he had sat for a long time gazing at the Botticelli, he would think of his own living Botticelli, who seemed even lovelier still, and as he drew to...
Sarah Bernhardt & Proust: Clips
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"To be sure, we're too near the stage, and one is beginning to get sick of Sarah Bernhardt. But you expressed a wish that I should come. And your wish is my command. I'm only too glad to be able to do you this little service. What would one not do to please you, you are so kind." And he went on, "Sarah Bernhardt -- she's what they call the Golden Voice, isn't she? They say she sets the house on fire. That's an odd expression, isn't it?" in the hope of an enlightening commentary which, however, was not forthcoming.
Proust's Little Project 3: Clips
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When, before turning to leave the church, I genuflected before the altar, I was suddenly aware of a bittersweet scent of almonds emanating from the hawthorn-blossom, and I then noticed on the flowers themselves little patches of a creamier colour, beneath which I imagined that this scent must lie concealed, as the taste of an almond cake lay beneath the burned parts, or that of Mlle Vinteuil's cheeks beneath their freckles. Despite the motionless silence of the hawthorns, this intermittent odour came to me like the murmuring of an intense organic life with which the whole altar was quivering like a hedgerow explored by living antennae, of which I was reminded by seeing some stamens, almost red in colour, which seemed to have kept the springtime virulence, the irritant power of stinging insects now transmuted into flowers.
PROUST'S LITTLE PROJECT 2: CLIPS
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Many years had elapsed during which nothing of Combray, except what lay in the theatre and the drama of my going to bed there, had any existence for me, when one day in winter, on my return home, my mother, seeing that I was cold, offered me some tea, a thing I did not ordinarily take. I declined at first, and then, for no particular reason, changed my mind. She sent for one of those squat, plump little cakes called "petites madeleines," which look as though they had been moulded in the fluted valve of a scallop shell. And soon, mechanically, dispirited after a dreary day with the prospect of a depressing morrow, I raised to my lips a spoonful of the tea in which I had soaked a morsel of the cake. No sooner had the warm liquid mixed with the crumbs touched my palate than a shiver ran through me and I stopped, intent upon the extraordinary thing that was happening to me. An exquisite pleasure had invaded my senses, something isolated, detached, with no suggestion of its ori...
REREAD: PROUST'S LITTLE PROJECT
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I've heard it never reads the same way twice.:) * "Come along and sit down here with us all on the verandah," said my grandfather, coming up to him. My mother had to abandon her quest, but managed to extract from the restriction itself a further delicate thought, like good poets whom the tyranny of rhyme forces into the discovery of their finest lines. * "I don't deny it," answered Swann in some bewilderment. "The fault I find with our journalism is that it forces us to take an interest in some fresh triviality or other every day, whereas only three or four books in a lifetime give us anything that is of real importance. Suppose that, every morning, when we tore the wrapper off our paper with fevered hands, a transmutation were to take place, and we were to find inside it, oh! I don't know; shall we say Pascal's Pensees?" He articulated the title with an ironic emphasis so as not to appear pedantic. "And then, in the gilt ...