Without Lifting A Finger

They came back towards evening. Tomas went into the garden. He found the lines of the rectangle that Tereza had drawn with her heel between the two apple trees. Then he started digging. He kept precisely to her specifications. He wanted everything to be just as Tereza wished. She stayed in the house with Karenin. She was afraid of burying him alive. She put her ear to his mouth and thought she heard a weak breathing sound. She stepped back and seemed to see his breast moving slightly. (No, the breath she heard was her own, and because it set her own body ever so slightly in motion, she had the impression the dog was moving.) She found a mirror in her bag and held it to his mouth. The mirror was so smudged she thought she saw drops on it, drops caused by his breath. “Tomas! He’s alive!” she cried, when Tomas came in from the garden in his muddy boots. Tomas bent over him and shook his head. They each took an end of the sheet he was lying on, Tereza the lower end, Tomas the upper. Then t...

Yes, said Franz to himself, the Grand March goes on, the world’s indifference notwithstanding, but it is growing nervous and hectic: yesterday against the American occupation of Vietnam, today against the Vietnamese occupation of Cambodia; yesterday for Israel, today for the Palestinians; yesterday for Cuba, tomorrow against Cuba—and always against America; at times against massacres and at times in support of other massacres; Europe marches on, and to keep up with events, to leave none of them out, its pace grows faster and faster, until finally the Grand March is a procession of rushing, galloping people and the platform is shrinking and shrinking until one day it will be reduced to a mere dimension-less dot.

The fantasy of the Grand March that Franz was so intoxicated by is the political kitsch joining leftists of all times and tendencies. The Grand March is the splendid march on the road to brotherhood, equality, justice, happiness; it goes on and on, obstacles notwithstanding, for obstacles there must be if the march is to be the Grand March. The dictatorship of the proletariat or democracy? Rejection of the consumer society or demands for increased productivity? The guillotine or an end to the death penalty? It is all beside the point. What makes a leftist a leftist is not this or that theory but his ability to integrate any theory into the kitsch called the Grand March.

Not until 1980 were we able to read in the Sunday Times how Stalin’s son, Yakov, died. Captured by the Germans during the Second World War, he was placed in a camp together with a group of British officers. They shared a latrine. Stalin’s son habitually left a foul mess. The British officers resented having their latrine smeared with shit, even if it was the shit of the son of the most powerful man in the world. They brought the matter to his attention. He took offense. They brought it to his attention again and again, and tried to make him clean the latrine. He raged, argued, and fought. Finally, he demanded a hearing with the camp commander. He wanted the commander to act as arbiter. But the arrogant German refused to talk about shit. Stalin’s son could not stand the humiliation. Crying out to heaven in the most terrifying of Russian curses, he took a running jump into the electrified barbed-wire fence that surrounded the camp. He hit the target. His body, which would never again mak...

That was Tomas’s version of eternal return. Of course we here on earth (planet number one, the planet of inexperience) can only fabricate vague fantasies of what will happen to man on those other planets. Will he be wiser? Is maturity within man’s power? Can he attain it through repetition? Only from the perspective of such a utopia is it possible to use the concepts of pessimism and optimism with full justification: an optimist is someone who thinks that on planet number five the history of mankind will be less bloody. A pessimist is one who thinks otherwise.

Anyone who thinks that the Communist regimes of Central Europe are exclusively the work of criminals is overlooking a basic truth: the criminal regimes were made not by criminals but by enthusiasts convinced they had discovered the only road to paradise. They defended that road so valiantly that they were forced to execute many people. Later it became clear that there was no paradise, that the enthusiasts were therefore murderers.

The women thus armed with umbrellas were both young and old, but the younger among them proved the more steeled warriors. Tereza recalled the days of the invasion and the girls in miniskirts carrying flags on long staffs. Theirs was a sexual vengeance: the Russian soldiers had been kept in enforced celibacy for several long years and must have felt they had landed on a planet invented by a science fiction writer, a planet of stunning women who paraded their scorn on beautiful long legs the likes of which had not been seen in Russia for the past five or six centuries. She had taken many pictures of those young women against a backdrop of tanks. How she had admired them! And now these same women were bumping into her, meanly and spitefully. Instead of flags, they held umbrellas, but they held them with the same pride. They were ready to fight as obstinately against a foreign army as against an umbrella that refused to move out of their way.

CEMETERY  Cemeteries in Bohemia are like gardens. The graves are covered with grass and colorful flowers. Modest tombstones are lost in the greenery. When the sun goes down, the cemetery sparkles with tiny candles. It looks as though the dead are dancing at a children’s ball. Yes, a children’s ball, because the dead are as innocent as children. No matter how brutal life becomes, peace always reigns in the cemetery. Even in wartime, in Hitler’s time, in Stalin’s time, through all occupations. When she felt low, she would get into the car, leave Prague far behind, and walk through one or another of the country cemeteries she loved so well. Against a backdrop of blue hills, they were as beautiful as a lullaby.  For Franz a cemetery was an ugly dump of stones and bones.

“Don’t you like music?” Franz asked. “No,” said Sabina, and then added, “though in a different era . . .” She was thinking of the days of Johann Sebastian Bach, when music was like a rose blooming on a boundless snow-covered plain of silence. Noise masked as music had pursued her since early childhood. During her years at the Academy of Fine Arts, students had been required to spend whole summer vacations at a youth camp. They lived in common quarters and worked together on a steelworks construction site. Music roared out of loudspeakers on the site from five in the morning to nine at night. She felt like crying, but the music was cheerful, and there was nowhere to hide, not in the latrine or under the bedclothes: everything was in range of the speakers. The music was like a pack of hounds that had been sicked on her. At the time, she had thought that only in the Communist world could such musical barbarism reign supreme. Abroad, she discovered that the transformation of music into noi...

Something else raised him above the others as well: he had an open book on his table. No one had ever opened a book in that restaurant before. In Tereza’s eyes, books were the emblems of a secret brotherhood. For she had but a single weapon against the world of crudity surrounding her: the books she took out of the municipal library, and above all, the novels. She had read any number of them, from Fielding to Thomas Mann. They not only offered the possibility of an imaginary escape from a life she found unsatisfying; they also had a meaning for her as physical objects: she loved to walk down the street with a book under her arm. It had the same significance for her as an elegant cane for the dandy a century ago. It differentiated her from others.