Without Lifting A Finger

 

He was thinking about what Dan had said while they were hitching up. There was a great deal of truth in it, certainly. Yet, as for him, he often felt that he would rather go out into the world and earn his bread among strangers than sweat under this half-responsibility for acres and crops that were not his own. He knew that his father was sometimes called a "land hog" by the country people, and he himself had begun to feel that it was not right they should have so much land,--to farm, or to rent, or to leave idle, as they chose. It was strange that in all the centuries the world had been going, the question of property had not been better adjusted. The people who had it were slaves to it, and the people who didn't have it were slaves to them.

His mother was old-fashioned. She thought dancing and card-playing dangerous pastimes--only rough people did such things when she was a girl in Vermont--and "worldliness" only another word for wickedness. According to her conception of education, one should learn, not think; and above all, one must not enquire. The history of the human race, as it lay behind one, was already explained; and so was its destiny, which lay before. The mind should remain obediently within the theological concept of history.

  Only recently have they found an interesting "interleaf" beneath Paul Klee's Angelus Novus. What's Behind the Angel of History? https://share.google/bMQdiVj2uJY3Q9hmF #rlswihart13  #paulklee #angelusnovus  #walterbenjamin  #angelofhistory *** From Walter Benjamin's "Theses on the Philosophy of History,": A Klee painting named “Angelus Novus” shows an angel looking as though he is about to move away from something he is fixedly contemplating. His eyes are staring, his mouth is open, his wings are spread. This is how one pictures the angel of history. His face is turned toward the past. Where we perceive a chain of events, he sees one single catastrophe which keeps piling wreckage upon wreckage and hurls it in front of his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing from Paradise; it has got caught in his wings with such violence that the angel can no longer close them. This storm irre...

One topic leading to another, Monsieur Hamel began to speak of the French language, saying it was the strongest, clearest, most beautiful language in the world, which we must keep as our heritage, never allowing it to be forgotten, telling us that when a nation has become enslaved, she holds the key which shall unlock her prison as long as she preserves her native tongue. [“S’il tient sa langue il tient la clé qui de ses chaines le délivre.” — F. MISTRAL.]

Not far from the margin of the forest stands the Krummenbach chapel, so small that it can surely not have been possible for more than a dozen to attend a service or worship there at the same time. In that walled cell I sat for a while. Outside, snowflakes were drifting past the small window, and presently it seemed to me as if I were in a boat on a voyage, crossing vast waters. The moist smell of lime became sea air; I could feel the spray on my forehead and the boards swaying beneath my feet, and I imagined myself sailing in this ship out of the flooded mountains. But what I remember most about the Krummenbach chapel, apart from this transformation of the stone walls into the hull of a wooden boat, is the Stations of the Cross, painted by some unskilled hand around the mid-eighteenth century, and half already covered and eaten by mould. Even on the somewhat better preserved scenes, little could be made out with any degree of certainty – faces distorted in pain and anger, dislocated li...