Speak, Silence

One of the best scholars of Sebald, Uwe Schütte, argues that his grief for his grandfather was the real one in his life and work, the one for the victims of the Third Reich a psychic cover. That is going much too far: it is as wrong to say that the Holocaust is not Sebald’s subject as to say that it is his only one. His grief over German crimes was what broke him, and what he wrote about. But this grief was the first.†

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Tarkovsky's Death and the Film "Stalker"

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