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Balzac: Unknown Masterpiece

Three months after the first meeting of Porbus and Poussin, the former went to see Maitre Frenhofer. He found the old man a prey to one of those deep, self-developed discouragements, whose cause, if we are to believe the mathematicians of health, lies in a bad digestion, in the wind, in the weather, in some swelling of the intestines, or else, according to casuists, in the imperfections of our moral nature; the fact being that the good man was simply worn out by the effort to complete his mysterious picture. He was seated languidly in a large oaken chair of vast dimensions covered with black leather; and without changing his melancholy attitude he cast on Porbus the distant glance of a man sunk in absolute dejection. "Well, maitre," said Porbus, "was the distant ultra-marine, for which you journeyed to Brussels, worthless? Are you unable to grind a new white? Is the oil bad, or the brushes restive?"

Balzac: Unknown Masterpiece

"Nevertheless," he continued, sadly, "I am not satisfied; there are moments when I have my doubts. Perhaps it would be better not to sketch a single line. I ask myself if I ought not to grasp the figure first by its highest lights, and then work down to the darker portions. Is not that the method of the sun, divine painter of the universe? O Nature, Nature! who has ever caught thee in thy flights? Alas! the heights of knowledge, like the depths of ignorance, lead to unbelief. I doubt my work."