Filippo Tommaso Marinetti (1876 - 1944)
Filippo Tommaso Emilio Marinetti (22 December 1876 – 2 December 1944) was an Italian poet and editor, the founder of the Futurist movement.
Marinetti and Fascism
In early 1918 he founded the Partito Politico Futurista or Futurist Political Party, which only a year later merged with Benito Mussolini's Fasci Italiani di Combattimento. Marinetti was one of the first affiliates of the Italian Fascist Party. In 1919 he co-wrote with Alceste De Ambris the Fascist Manifesto, the original manifesto of Italian Fascism.[8] He opposed Fascism's later exaltation of existing institutions, terming them "reactionary," and, after walking out of the 1920 Fascist party congress in disgust, withdrew from politics for three years. However, he remained a notable force in developing the party philosophy throughout the regime's existence. For example, at the end of the Congress of Fascist Culture that was held in Bologna on 30 March 1925, Giovanni Gentile addressed Sergio Panunzio on the need to define Fascism more purposefully by way of Marinetti's opinion, stating, "Great spiritual movements make recourse to precision when their primitive inspirations—what F. T. Marinetti identified this morning as artistic, that is to say, the creative and truly innovative ideas, from which the movement derived its first and most potent impulse—have lost their force. We today find ourselves at the very beginning of a new life and we experience with joy this obscure need that fills our hearts—this need that is our inspiration, the genius that governs us and carries us with it."
During the Fascist regime Marinetti sought to make Futurism the official state art of Italy but failed to do so. Mussolini was personally uninterested in art and chose to give patronage to numerous styles in order to keep artists loyal to the regime. Opening the exhibition of art by the Novecento Italiano group in 1923, he said: "I declare that it is far from my idea to encourage anything like a state art. Art belongs to the domain of the individual. The state has only one duty: not to undermine art, to provide humane conditions for artists, to encourage them from the artistic and national point of view."[9] Mussolini's mistress, Margherita Sarfatti, successfully promoted the rival Novecento Group, and even persuaded Marinetti to be part of its board.
In Fascist Italy, modern art was tolerated and even approved by the Fascist hierarchy. Towards the end of the 1930s, some Fascist ideologues (for example, the ex-Futurist Ardengo Soffici[10]) wished to import the concept of "degenerate art" from Germany to Italy and condemned modernism, although their demands were ignored by the regime.[11] In 1938, hearing that Adolf Hitler wanted to include Futurism in a traveling exhibition of degenerate art, Marinetti persuaded Mussolini to refuse to let it enter Italy. During the same year he protested publicly against anti-Semitism.[12]
Marinetti made numerous attempts to ingratiate himself with the regime, becoming less radical and avant garde with each. He relocated from Milan to Rome. He became an academician despite his condemnation of academies, saying, “It is important that Futurism be represented in the Academy.”[12] He was an atheist[13] but became reconciled to the Catholic Church in an attempt to make Futurism the official representative of religious art.[14]
There were other contradictions in his character: despite his nationalism, he was international, educated in Egypt and France, writing his first poems in French, publishing the Futurist Manifesto in a French newspaper[12] and traveling to promote his ideas.
Marinetti volunteered for active service in the Second Italo-Abyssinian War and the Second World War, serving on the Eastern Front, despite his advanced age.
He died of cardiac arrest in Bellagio on 2 December 1944 while working on a collection of poems praising the wartime achievements of the Decima Flottiglia MAS.
[From Wikipedia: http://en.wikipedia.org/wiki/Filippo_Tommaso_Marinetti]
Marinetti and Fascism
In early 1918 he founded the Partito Politico Futurista or Futurist Political Party, which only a year later merged with Benito Mussolini's Fasci Italiani di Combattimento. Marinetti was one of the first affiliates of the Italian Fascist Party. In 1919 he co-wrote with Alceste De Ambris the Fascist Manifesto, the original manifesto of Italian Fascism.[8] He opposed Fascism's later exaltation of existing institutions, terming them "reactionary," and, after walking out of the 1920 Fascist party congress in disgust, withdrew from politics for three years. However, he remained a notable force in developing the party philosophy throughout the regime's existence. For example, at the end of the Congress of Fascist Culture that was held in Bologna on 30 March 1925, Giovanni Gentile addressed Sergio Panunzio on the need to define Fascism more purposefully by way of Marinetti's opinion, stating, "Great spiritual movements make recourse to precision when their primitive inspirations—what F. T. Marinetti identified this morning as artistic, that is to say, the creative and truly innovative ideas, from which the movement derived its first and most potent impulse—have lost their force. We today find ourselves at the very beginning of a new life and we experience with joy this obscure need that fills our hearts—this need that is our inspiration, the genius that governs us and carries us with it."
During the Fascist regime Marinetti sought to make Futurism the official state art of Italy but failed to do so. Mussolini was personally uninterested in art and chose to give patronage to numerous styles in order to keep artists loyal to the regime. Opening the exhibition of art by the Novecento Italiano group in 1923, he said: "I declare that it is far from my idea to encourage anything like a state art. Art belongs to the domain of the individual. The state has only one duty: not to undermine art, to provide humane conditions for artists, to encourage them from the artistic and national point of view."[9] Mussolini's mistress, Margherita Sarfatti, successfully promoted the rival Novecento Group, and even persuaded Marinetti to be part of its board.
In Fascist Italy, modern art was tolerated and even approved by the Fascist hierarchy. Towards the end of the 1930s, some Fascist ideologues (for example, the ex-Futurist Ardengo Soffici[10]) wished to import the concept of "degenerate art" from Germany to Italy and condemned modernism, although their demands were ignored by the regime.[11] In 1938, hearing that Adolf Hitler wanted to include Futurism in a traveling exhibition of degenerate art, Marinetti persuaded Mussolini to refuse to let it enter Italy. During the same year he protested publicly against anti-Semitism.[12]
Marinetti made numerous attempts to ingratiate himself with the regime, becoming less radical and avant garde with each. He relocated from Milan to Rome. He became an academician despite his condemnation of academies, saying, “It is important that Futurism be represented in the Academy.”[12] He was an atheist[13] but became reconciled to the Catholic Church in an attempt to make Futurism the official representative of religious art.[14]
There were other contradictions in his character: despite his nationalism, he was international, educated in Egypt and France, writing his first poems in French, publishing the Futurist Manifesto in a French newspaper[12] and traveling to promote his ideas.
Marinetti volunteered for active service in the Second Italo-Abyssinian War and the Second World War, serving on the Eastern Front, despite his advanced age.
He died of cardiac arrest in Bellagio on 2 December 1944 while working on a collection of poems praising the wartime achievements of the Decima Flottiglia MAS.
[From Wikipedia: http://en.wikipedia.org/wiki/Filippo_Tommaso_Marinetti]
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