AURELIA

From the beginning of Nerval's Aurelia, or Dream and Life:

Dream is a second life. I have never been able to cross through those gates of ivory or horn which separate us from the invisible world without a sense of dread. The first few instants of sleep are the image of death; a drowsy numbness steals over our thoughts, and it becomes impossible to determine the precise point at which the self, in some other form, continues to carry on the work of existence. Little by little, the dim cavern is suffused with light and, emerging from its shadowy depths, the pale figures who dwell in limbo come into view, solemn and still. Then the tableau takes on shape, a new clarity illuminates these bizarre apparitions and sets them in motion -- the spirit world opens for us. 
     Swedenborg called these visions his Memorabilia; they came to him more often in reverie than in sleep; Apuleius' Golden Ass and Dante's Divine Comedy are the poetic models of such studies of the human soul. Following their example, I shall attempt to transcribe the impressions of a lengthy illness that took place entirely within the mysteries of my own mind -- although I do not know why I use the term illness here, for so far as I am concerned, I never felt more fit. At times I believed my strength and energy had redoubled; I seemed to know everything, understand everything; my imagination afforded me infinite delights. Having recovered what men call reason, must I lament the loss of such joys? ...

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