Tolstoy: War & Peace: Pierre & Helene

"Thank God!" said Prince Vasili. "My wife has told me everything!" (He put one arm around Pierre and the other around his daughter.)--"My dear boy… Lelya… I am very pleased." (His voice trembled.) "I loved your father… and she will make you a good wife… God bless you!…" He embraced his daughter, and then again Pierre, and kissed him with his malodorous mouth. Tears actually moistened his cheeks. "Princess, come here!" he shouted. The old princess came in and also wept. The elderly lady was using her handkerchief too. Pierre was kissed, and he kissed the beautiful Helene's hand several times. After a while they were left alone again. "All this had to be and could not be otherwise," thought Pierre, "so it is useless to ask whether it is good or bad. It is good because it's definite and one is rid of the old tormenting doubt." Pierre held the hand of his betrothed in silence, looking at her beautiful bosom as it rose and fell. "Helene!" he said aloud and paused. "Something special is always said in such cases," he thought, but could not remember what it was that people say. He looked at her face. She drew nearer to him. Her face flushed. "Oh, take those off… those…" she said, pointing to his spectacles. Pierre took them off, and his eyes, besides the strange look eyes have from which spectacles have just been removed, had also a frightened and inquiring look. He was about to stoop over her hand and kiss it, but with a rapid, almost brutal movement of her head, she intercepted his lips and met them with her own. Her face struck Pierre, by its altered, unpleasantly excited expression. "It is too late now, it's done; besides I love her," thought Pierre. "Je vous aime!"* he said, remembering what has to be said at such moments: but his words sounded so weak that he felt ashamed of himself. *"I love you." Six weeks later he was married, and settled in Count Bezukhov's large, newly furnished Petersburg house, the happy possessor, as people said, of a wife who was a celebrated beauty and of millions of money.

Comments

Post a Comment

POPULAR POSTS

Tarkovsky's Death and the Film "Stalker"

Several people involved in the film production — including Tarkovsky — had met deaths, which some crew members attribute to the film's long, arduous shooting schedule in toxic locations. Sound designer Vladimir Sharun recalls: We were shooting near Tallinn in the area around the small river Jägala with a half-functioning hydroelectric station. Up the river was a chemical plant and it poured out poisonous liquids downstream. There is even this shot in Stalker: snow falling in the summer and white foam floating down the river. In fact it was some horrible poison. Many women in our crew got allergic reactions on their faces. Tarkovsky died from cancer of the right bronchial tube. And Tolya Solonitsyn too. That it was all connected to the location shooting for Stalker became clear to me when Larisa Tarkovskaya died from the same illness in Paris. [ 6 ]   [From Wikipedia:   http://en.wikipedia.org/wiki/Stalker_(film )]
Read more

TÜBINGEN, JANUARY by Paul Celan

T Ü BINGEN, JANUARY Eyes talked in- to blindness. Their  -- "a riddle, what is pure- ly arisen" --, their memory of floating H ö lderlintowers, gull- enswirled. Visits of drowned joiners to these plunging words: Came, if there came a man, came a man to the world, today, with the patriarchs' light-beard: he could, if he spoke of this time, he could only babble and babble, ever- ever- moremore. ("Pallaksch. Pallaksch.")* * Pallaksch A word that H ö lderlin, spending his last years in the home of a T ü bingen carpenter, was given to uttering in his dementia; it could signify Yes or No. [Poem Translated by John Felstiner; the explanation of Pallaksch is also from his "Notes" in Selected Poems and Prose of Paul Celan ]  
Read more

Hitchcock's Soda City

I was watching Saboteur last night (Encore has a slew of Hitchcock's films up now) and wanted to know more about Soda City. Figured it wasn't real. It's not. Apparently it was shot somewhere in Nevada (makes sense). This site gives a nice run-down of the various places throughout the US that Hitchcock used in his films: Hitchcock's America.
Read more

Coetzee's "Costello": Koba the Bear and Paul West

Image
Lesson 6: The Problem of Evil . Ok, but not my fave chapter: traverses an age-old subject and doesn't turn up much that is new (I mean Hannah Arendt new). One bit I dog-eared (also threw a Howgarthian line in with an exclamation mark) because I liked it so much (especially if I could widen its scope). The underlining is mine:    The routine censorship paper is liberal in its ideas, with perhaps a touch of the Kulturpessimismus  that has marked her thinking of late:  the civilization of the West is based on belief in unlimited and illimitable endeavour; it is too late for us to do anything about that, we must simply hold on tight and go wherever the ride takes us. It is on the subject of the illimitable that her opinions seem to be undergoing a quiet change. Reading West's book has contributed to that change, she suspects, though it is possible the change would have happened anyway, for reasons that are more obscure to her. Specifically, she is no longer sure that people are
Read more