Clips: From Handke's "Sorrow"



No machines in the house; everything was still done by hand. Objects out of a past century, now generally transfigured with nostalgia: not only the coffee mill, which you had actually come to love as a toy—also the GOOD OLD ironing-board, the COSY hearth, the often-mended cooking pots, the DANGEROUS poker, the STURDY wheelbarrow, the ENTERPRISING weed cutter, the SHINING BRIGHT knives, which over the years had been ground to a vanishing narrowness by BURLY scissor-grinders, the FIENDISH thimble, the STUPID darning egg, the CLUMSY OLD flat-iron, which provided variety by having to be put back on the stove every so often, and finally the PRIZE PIECE, the foot- and hand-operated Singer sewing-machine. But the golden haze is all in the manner of listing. Another way of listing would be equally idyllic: your aching back; your hands scalded in the wash boiler, then frozen red while hanging up the clothes (how the frozen washing crackled as you folded it up!); an occasional nosebleed when you straightened up after hours of bending over; being in such a hurry to get through with the day’s work that you went marketing with that tell-tale blood spot on the back of your skirt; the eternal moaning about little aches and pains, because after all you were only a woman. Women among themselves: not “How are you feeling?” but “Are you feeling better?” All that is known. It proves nothing; its demonstrative value is destroyed by the habit of thinking in terms of advantages and disadvantages, the most evil of all ways of looking at life. “Everything has its advantages and disadvantages.” Once that is said, the unbearable becomes bearable—a mere disadvantage, and what after all is a disadvantage but a necessary adjunct of every advantage?

*

The morning before the funeral I was alone in the room with the body for a long while. At first my feelings were at one with the custom of the wake. Even her dead body seemed cruelly forsaken and in need of love. Then I began to be bored and looked at the clock. I had decided to spend at least an hour with her. The skin under her eyes was shrivelled, and here and there on her face there were still drops of holy water. Her belly was somewhat bloated from the effect of the pills. I compared the hands on her bosom with a fixed point at the end of the room to make sure she was not breathing after all. The furrow between her nose and upper lip was gone. Sometimes, after looking at her for a while, I didn’t know what to think. At such moments my boredom was at its height and I could only stand distraught beside the corpse. When the hour was over, I didn’t want to leave; I stayed in the room beyond the time I had set myself. Then she was photographed. From which side did she look best? “The sugar-side of the dead.” The burial ritual depersonalised her once and for all, and relieved everyone. It was snowing hard as we followed her mortal remains. Only her name had to be inserted in the religious formulas. “Our beloved sister.” On our coats candle wax, which was later ironed out. It was snowing so hard that you couldn’t get used to it; you kept looking at the sky to see if it was letting up. One by one, the candles went out and were not lit again. How often, it passed through my mind, I had read of someone catching a fatal illness while attending a funeral. The woods began right outside the graveyard wall. Fir woods on a rather steep hill. The trees were so close together that you could see only the tops of even the second row, and from then on treetops after treetops. The people left the grave quickly. Standing beside it, I looked up at the motionless trees: for the first time it seemed to me that nature was really merciless. So these were the facts! The forest spoke for itself. Apart from these countless treetops nothing counted; in the foreground, an episodic jumble of shapes, which gradually receded from the picture. I felt mocked and helpless. All at once, in my impotent rage, I felt the need of writing something about my mother. 

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