Hawthorne Encounters Emanuel Leutze in Washington D.C.



Knocking at a rough, temporary door, we thrust a card beneath; and in a minute or two it was opened by a person in his shirt-sleeves, a middle-aged figure, neither tall nor short, of Teutonic build and aspect, with an ample beard of a ruddy tinge and chestnut hair. He looked at us, in the first place, with keen and somewhat guarded eyes, as if it were not his practice to vouchsafe any great warmth of greeting, except upon sure ground of observation. Soon, however, his look grew kindly and genial (not that it had ever been in the least degree repulsive, but only reserved), and Leutze allowed us to gaze at the cartoon of his great fresco, and talked about it unaffectedly, as only a man of true genius can speak of his own works. Meanwhile the noble design spoke for itself upon the wall. A sketch in color, which we saw afterwards, helped us to form some distant and flickering notion of what the picture will be, a few months hence, when these bare outlines, already so rich in thought and suggestiveness, shall glow with a fire of their own,--a fire which, I truly believe, will consume every other pictorial decoration of the Capitol, or, at least, will compel us to banish those stiff and respectable productions to some less conspicuous gallery. The work will be emphatically original and American, embracing characteristics that neither art nor literature have yet dealt with, and producing new forms of artistic beauty from the natural features of the Rocky-Mountain region, which Leutze seems to have studied broadly and minutely. The garb of the hunters and wanderers of those deserts, too, under his free and natural management, is shown as the most picturesque of costumes. But it would be doing this admirable painter no kind office to overlay his picture with any more of my colorless and uncertain words; so I shall merely add that it looked full of energy, hope, progress, irrepressible movement onward, all represented in a momentary pause of triumph; and it was most cheering to feel its good augury at this dismal time, when our country might seem to have arrived at such a deadly stand-still.

Comments

POPULAR POSTS

Tarkovsky's Death and the Film "Stalker"

Hitchcock's Soda City

TÃœBINGEN, JANUARY by Paul Celan

Coetzee's "Costello": Koba the Bear and Paul West