Don't Know Why I Thought of . . .
Peter Weiss' The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade.
Yes, I do. Just the sesquipedalian title reminded me of my life, life (viewed through the prism of self).
***
The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade (German: Die Verfolgung und Ermordung Jean Paul Marats dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade), usually shortened to Marat/Sade (pronounced: [ma.ʁa.sad]), is a 1963 play by Peter Weiss. The work was first published in German.
Incorporating dramatic elements characteristic of both Artaud and Brecht, it is a bloody and unrelenting depiction of class struggle and human suffering which asks whether true revolution comes from changing society or changing oneself.
[From Wikipedia: http://en.wikipedia.org/wiki/Marat/Sade]
Yes, I do. Just the sesquipedalian title reminded me of my life, life (viewed through the prism of self).
***
The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade (German: Die Verfolgung und Ermordung Jean Paul Marats dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade), usually shortened to Marat/Sade (pronounced: [ma.ʁa.sad]), is a 1963 play by Peter Weiss. The work was first published in German.
Incorporating dramatic elements characteristic of both Artaud and Brecht, it is a bloody and unrelenting depiction of class struggle and human suffering which asks whether true revolution comes from changing society or changing oneself.
[From Wikipedia: http://en.wikipedia.org/wiki/Marat/Sade]
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