Without Lifting A Finger

And now, as Dawn rose from her couch beside Tithonus—harbinger of light alike to mortals and immortals—the gods met in council and with them, Jove the lord of thunder, who is their king. Thereon Minerva began to tell them of the many sufferings of Ulysses, for she pitied him away there in the house of the nymph Calypso. “Father Jove,” said she, “and all you other gods that live in everlasting bliss, I hope there may never be such a thing as a kind and well-disposed ruler any more, nor one who will govern equitably. I hope they will be all henceforth cruel and unjust, for there is not one of his subjects but has forgotten Ulysses, who ruled them as though he were their father. There he is, lying in great pain in an island where dwells the nymph Calypso, who will not let him go; and he cannot get back to his own country, for he can find neither ships nor sailors to take him over the sea. Furthermore, wicked people are now trying to murder his only son Telemachus, who is coming home from ...

Every man’s work, whether it be literature or music or pictures or architecture or anything else, is always a portrait of himself, and the more he tries to conceal himself the more clearly will his character appear in spite of him.  I may very likely be condemning myself, all the time that I am writing this book, for I know that whether I like it or no I am portraying myself more surely than I am portraying any of the characters whom I set before the reader.  I am sorry that it is so, but I cannot help it—after which sop to Nemesis I will say that Battersby church in its amended form has always struck me as a better portrait of Theobald than any sculptor or painter short of a great master would be able to produce.

How little do we know our thoughts—our reflex actions indeed, yes; but our reflex reflections!  Man, forsooth, prides himself on his consciousness!  We boast that we differ from the winds and waves and falling stones and plants, which grow they know not why, and from the wandering creatures which go up and down after their prey, as we are pleased to say without the help of reason.  We know so well what we are doing ourselves and why we do it, do we not?  I fancy that there is some truth in the view which is being put forward nowadays, that it is our less conscious thoughts and our less conscious actions which mainly mould our lives and the lives of those who spring from us.

Samuel Butler (4 December 1835 – 18 June 1902) was an English novelist and critic, best known for the satirical utopian novel Erewhon (1872) and the semi-autobiographical novel The Way of All Flesh (published posthumously in 1903 with substantial revisions and published in its original form in 1964 as Ernest Pontifex or The Way of All Flesh ). Both novels have remained in print since their initial publication. In other studies he examined Christian orthodoxy , evolutionary thought , and Italian art, and made prose translations of the Iliad and Odyssey that are still consulted. [ 1 ] [ 2 ] (Wikipedia)

“My boy,” returned my father, “you must not judge by the work, but by the work in connection with the surroundings.  Could Giotto or Filippo Lippi, think you, have got a picture into the Exhibition?  Would a single one of those frescoes we went to see when we were at Padua have the remotest chance of being hung, if it were sent in for exhibition now?  Why, the Academy people would be so outraged that they would not even write to poor Giotto to tell him to come and take his fresco away.  Phew!” continued he, waxing warm, “if old Pontifex had had Cromwell’s chances he would have done all that Cromwell did, and have done it better; if he had had Giotto’s chances he would have done all that Giotto did, and done it no worse; as it was, he was a village carpenter, and I will undertake to say he never scamped a job in the whole course of his life.” “But,” said I, “we cannot judge people with so many ‘ifs.’  If old Pontifex had lived in Giotto’s time he might have been ...

 

"No honor, no heart, no religion; a corrupt woman. I always knew it and always saw it, though I tried to deceive myself to spare her," he said to himself. And it actually seemed to him that he always had seen it: he recalled incidents of their past life, in which he had never seen anything wrong before — now these incidents proved clearly that she had always been a corrupt woman. "I made a mistake in linking my life to hers; but there was nothing wrong in my mistake, and so I cannot be unhappy. It's not I that am to blame," he told himself, "but she. But I have nothing to do with her. She does not exist for me…" Everything relating to her and her son, towards whom his sentiments were as much changed as towards her, ceased to interest him. The only thing that interested him now was the question of in what way he could best, with most propriety and comfort for himself, and thus with most justice, extricate himself from the mud with which she had spattere...

Levin looked about him and hardly recognized the place, everything was so changed. The immense stretch of meadow had been mown and was sparkling with a peculiar fresh brilliance, with its lines of already sweet-smelling grass in the slanting rays of the evening sun. And the bushes about the river had been cut down, and the river itself, not visible before, now gleaming like steel in its bends, and the moving, ascending, peasants, and the sharp wall of grass of the unmown part of the meadow, and the hawks hovering over the stripped meadow — all was perfectly new. Raising himself, Levin began considering how much had been cut and how much more could still be done that day.

How exquisite this steely water is!" said Sergey Ivanovitch. "These riverside banks always remind me of the riddle — do you know it? 'The grass says to the water: we quiver and we quiver.'" "I don't know the riddle," answered Levin wearily. &&& Some background info on the Russian traditional riddle (via Google AI): No, they do not all speak in the excerpt from Anna Karenina , but yes, they all speak in the full traditional riddle that Tolstoy was referencing. [ 1 ] When Sergey Ivanovich quotes the riddle to Levin in the novel, he only recites the very last line: "The grass says to the water: we sway and we sway" (or "we quiver and we quiver" depending on your translation). [ 1 , 2 , 3 ] However, Tolstoy included the complete, unabridged folk riddle in his 1872 ABC Book ( Азбука ) , where each of the three elements gets a speaking part: [ 1 , 2 , 3 ] The River says: "We will run and run." The Banks say: ...

At that moment, when the revelation of everything was hanging over him, there was nothing he expected so much as that she would answer mockingly as before that his suspicions were absurd and utterly groundless. So terrible to him was what he knew that now he was ready to believe anything. But the expression of her face, scared and gloomy, did not now promise even deception. "Possibly I was mistaken," said he. "If so, I beg your pardon." "No, you were not mistaken," she said deliberately, looking desperately into his cold face. "You were not mistaken. I was, and I could not help being in despair. I hear you, but I am thinking of him. I love him, I am his mistress; I can't bear you; I'm afraid of you, and I hate you…. You can do what you like to me." And dropping back into the corner of the carriage, she broke into sobs, hiding her face in her hands. Alexey Alexandrovitch did not stir, and kept looking straight before him. But his whole fac...

Now, though his conviction that jealousy was a shameful feeling and that one ought to feel confidence, had not broken down, he felt that he was standing face to face with something illogical and irrational, and did not know what was to be done. Alexey Alexandrovitch was standing face to face with life, with the possibility of his wife's loving someone other than himself, and this seemed to him very irrational and incomprehensible because it was life itself. All his life Alexey Alexandrovitch had lived and worked in official spheres, having to do with the reflection of life. And every time he had stumbled against life itself he had shrunk away from it. Now he experienced a feeling akin to that of a man who, while calmly crossing a precipice by a bridge, should suddenly discover that the bridge is broken, and that there is a chasm below. That chasm was life itself, the bridge that artificial life in which Alexey Alexandrovitch had lived. For the first time the question presented itse...

In his Petersburg world all people were divided into utterly opposed classes. One, the lower class, vulgar, stupid, and, above all, ridiculous people, who believe that one husband ought to live with the one wife whom he has lawfully married; that a girl should be innocent, a woman modest, and a man manly, self-controlled, and strong; that one ought to bring up one's children, earn one's bread, and pay one's debts; and various similar absurdities. This was the class of old-fashioned and ridiculous people. But there was another class of people, the real people. To this class they all belonged, and in it the great thing was to be elegant, generous, plucky, gay, to abandon oneself without a blush to every passion, and to laugh at everything else.

Another old poem I just found on the Net in Right Hand Pointing: "Heart." Had totally forgotten it. Not sure whether it ever made it into one of my books. Heart 1. Words. Symbols. Sums. What fraction of reality gets into them? The commerce of the hordes, he thinks. The earth-dwellers.  Those with the hubristic screech and scrawl. 2. Heart is playing at the Hollywood Bowl tonight ( Crazy on You ). He is tooling  about trying to get the right combination of nibbles and bits:  Pinot noir,  brie, fresh figs, etc.  Leaving TJ’s, he flinches, then grabs a few plastic  knives and forks from their holsters on the wall.  Sorry, he thinks.  We’ve done this to ourselves. We’re doing it.  Stopping  isn’t an option.          

An old poem of mine that my AI kicked up tonight (from my book Matman & Testudo): "Surface Tension." I had almost forgotten it. LAUSD was "restructuring" and my principal said, "Don't worry, you'll land somewhere. You're a good teacher." I landed somewhere, then somewhere else. Etc. Stressful but fun -- exploring many places I had no idea about, even teaching some simple science. Anyway, here's the poem (inspired by my drive in the morning, over the two bridges to and through San Pedro CA). Surface Tension If the paperclip doesn’t float on the water’s surface, first lay a thin piece of paper on the water, then lay the clip gently on the paper * He’s not drowning. The nearest body of water is the bottle of water in the back of the car, wedged between two Blue Ice Blocks in his Igloo. Still, he sits behind the wheel taking in little fish gulps, as though staving off the big gulp that would take him under  *  The way to his new job takes h...

From Tolstoy's Anna Karenina: "Well, you must excuse me there. You know to me all women are divided into two classes…at least no…truer to say: there are women and there are…I've never seen exquisite fallen beings, and I never shall see them, but such creatures as that painted Frenchwoman at the counter with the ringlets are vermin to my mind, and all fallen women are the same." "But the Magdalen?" "Ah, drop that! Christ would never have said those words if He had known how they would be abused. Of all the Gospel those words are the only ones remembered. However, I'm not saying so much what I think, as what I feel. I have a loathing for fallen women. You're afraid of spiders, and I of these vermin. Most likely you've not made a study of spiders and don't know their character; and so it is with me." Note: The pope who wrongly identified Mary Magdalene as a prostitute was Pope Gregory I (also known as Gregory the Great) in the year 59...

The sledge swayed hardly at all. The shaft-horse, with his tightly bound tail under his decorated breechband, galloped smoothly and briskly; the smooth road seemed to run rapidly backwards, while the driver dashingly shook the reins. One of the lawyers and the officer sitting opposite talked nonsense to Makovkina's neighbour, but Makovkina herself sat motionless and in thought, tightly wrapped in her fur. 'Always the same and always nasty! The same red shiny faces smelling of wine and cigars! The same talk, the same thoughts, and always about the same things! And they are all satisfied and confident that it should be so, and will go on living like that till they die. But I can't. It bores me. I want something that would upset it all and turn it upside down. Suppose it happened to us as to those people--at Saratov was it?--who kept on driving and froze to death. . . . What would our people do? How would they behave? Basely, for certain. Each for himself. And I too should act...

His mother wrote to try to dissuade him from this decisive step, but he replied that he felt God's call which transcended all other considerations. Only his sister, who was as proud and ambitious as he, understood him. She understood that he had become a monk in order to be above those who considered themselves his superiors. And she understood him correctly. By becoming a monk he showed contempt for all that seemed most important to others and had seemed so to him while he was in the service, and he now ascended a height from which he could look down on those he had formerly envied. . . . But it was not this alone, as his sister Varvara supposed, that influenced him. There was also in him something else--a sincere religious feeling which Varvara did not know, which intertwined itself with the feeling of pride and the desire for pre-eminence, and guided him. His disillusionment with Mary, whom he had thought of angelic purity, and his sense of injury, were so strong that they broug...

Hard to feed a Family of Four these Days. Spent the morning with four Peregrine Chicks @ Pointe Vicente (Palos Verdes CA) -- hungry as wolves with wings.💗 #rlswihart13  #palosverdescalifornia  #peregrinechicks  #purepoetry  #readmorepoetry2026💕

It is idiotic to write out in one's own hand (in the evenings by candlelight) things already in print. Why not use scissors to cut out items that are worth remembering and deserve a place on the wall? Geiser is surprised that he did not think of this before. There are scissors in the house; all he has to do is find them. Quite apart from the fact that print is easier to read than an old man's handwriting—though he has taken the trouble to use block letters—no one has that much time.  Geological formations, layers that are clearly distinguished from the stratifications beneath and above them by the petrified animals and plants (see Characteristic Fossils) within them and that represent a (stratigraphic) unit. Among these belong the igneous rocks, which evolved at the same time. Related G. F. evolving successively are bracketed together in formation groups. Formations and formation groups reflect periods of the earth's history and are in consequence used as descriptions of ti...

I think he himself said something like his poetry doesn't rise to level of his prose, but this poem is somewhat interesting, especially because it's a companion piece to the story he tells in The Emigrants. * New Jersey Journey  Spent two hours at the end of December on the Garden State Highway In the ancient Ford’s trunk nothing but my heart grown heavier year by year  A protracted catastrophe: the constant river of traffic the endless business of overtaking vicious eye-contact with total strangers in the adjacent lane  Driven by yearning for its prehistoric brothers a Jumbo climbs out of Newark airport over marshes and lagoons a giant smoking mountain of rubbish and the countless lights of the refineries  Mile after mile of stunted trees telegraph poles fields of blueberries a Siberian countryside colonized then run to seed with moribund supermarkets abandoned poultry farms haunted by millions and millions of breakfast eggs harboring the undeciphered sighs of an en...