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Emily Dickinson's Thanksgiving Poem

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Happy T-Day 2025

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Flannery O'Connor: "The Displaced Person"

The priest had his hand on the screen door and he opened it, ready to make his escape. “Arrrr, I must be off,” he murmured. “I tell you if I had a white man who understood the Negroes, I’d have to let Mr. Guizac go,” she said and stood up again. He turned then and looked her in the face. “He has nowhere to go,” he said. Then he said, “Dear lady, I know you well enough to know you wouldn’t turn him out for a trifle!” and without waiting for an answer, he raised his hand and gave her his blessing in a rumbling voice. She smiled angrily and said, “I didn’t create this situation, of course.” The priest let his eyes wander toward the birds. They had reached the middle of the lawn. The cock stopped suddenly and curving his neck backwards, he raised his tail and spread it with a shimmering timbrous noise. Tiers of small pregnant suns floated in a green-gold haze over his head. The priest stood transfixed, his jaw slack. Mrs. McIntyre wondered where she had ever seen such an idiotic old man. “...

Flannery O'Connor: "The River"

It occurred to him that he was lucky this time that they had found Mrs. Connin who would take you away for the day instead of an ordinary sitter who only sat where you lived or went to the park. You found out more when you left where you lived. He had found out already this morning that he had been made by a carpenter named Jesus Christ. Before he had thought it had been a doctor named Sladewall, a fat man with a yellow mustache who gave him shots and thought his name was Herbert, but this must have been a joke. They joked a lot where he lived. If he had thought about it before, he would have thought Jesus Christ was a word like “oh” or “damn” or “God,” or maybe somebody who had cheated them out of something sometime. When he had asked Mrs. Connin who the man in the sheet in the picture over her bed was, she had looked at him a while with her mouth open. Then she had said, “That’s Jesus,” and she had kept on looking at him.

Flannery O'Connor: "Artificial Nigger"

Mr. Head stood very still and felt the action of mercy touch him again but this time he knew that there were no words in the world that could name it. He understood that it grew out of agony, which is not denied to any man and which is given in strange ways to children. He understood it was all a man could carry into death to give his Maker and he suddenly burned with shame that he had so little of it to take with him. He stood appalled, judging himself with the thoroughness of God, while the action of mercy covered his pride like a flame and consumed it. He had never thought himself a great sinner before but he saw now that his true depravity had been hidden from him lest it cause him despair. He realized that he was forgiven for sins from the beginning of time, when he had conceived in his own heart the sin of Adam, until the present, when he had denied poor Nelson. He saw that no sin was too monstrous for him to claim as his own, and since God loved in proportion as He forgave, he f...

Flannery O'Connor: "Artificial Nigger"

They walked on and at the end of five blocks the dome of the terminal sank out of sight and Mr. Head turned to the left. Nelson could have stood in front of every store window for an hour if there had not been another more interesting one next to it. Suddenly he said, “I was born here!” Mr. Head turned and looked at him with horror. There was a sweaty brightness about his face. “This is where I come from!” he said. Mr. Head was appalled. He saw the moment had come for drastic action. “Lemme show you one thing you ain’t seen yet,” he said and took him to the corner where there was a sewer entrance. “Squat down,” he said, “and stick you head in there,” and he held the back of the boy’s coat while he got down and put his head in the sewer. He drew it back quickly, hearing a gurgling in the depths under the sidewalk. Then Mr. Head explained the sewer system, how the entire city was underlined with it, how it contained all the drainage and was full of rats and how a man could slide into it ...

Flannery O'Connor: "Revelation"

There was only a purple streak in the sky, cutting through a field of crimson and leading, like an extension of the highway, into the descending dusk. She raised her hands from the side of the pen in a gesture hieratic and profound. A visionary light settled in her eyes. She saw the streak as a vast swinging bridge extending upward from the earth through a field of living fire. Upon it a vast horde of souls were rumbling toward heaven. There were whole companies of white-trash, clean for the first time in their lives, and bands of black niggers in white robes, and battalions of freaks and lunatics shouting and clapping and leaping like frogs. And bringing up the end of the procession was a tribe of people whom she recognized at once as those who, like herself and Claud, had always had a little of everything and the God-given wit to use it right. She leaned forward to observe them closer. They were marching behind the others with great dignity, accountable as they had always been for go...

Flannery 0'Connor: "Everything That Rises ..."

“Aren’t you going on to the Y?” he asked. “Home,” she muttered. “Well, are we walking?” For answer she kept going. Julian followed along, his hands behind him. He saw no reason to let the lesson she had had go without backing it up with an explanation of its meaning. She might as well be made to understand what had happened to her. “Don’t think that was just an uppity Negro woman,” he said. “That was the whole colored race which will no longer take your condescending pennies. That was your black double. She can wear the same hat as you, and to be sure,” he added gratuitously (because he thought it was funny), “it looked better on her than it did on you. What all this means,” he said, “is that the old world is gone. The old manners are obsolete and your graciousness is not worth a damn.” He thought bitterly of the house that had been lost for him. “You aren’t who you think you are,” he said.

Flannery O'Connor: "The Barber"

Listen, he didn’t have to read nothin.’ All he had to do was think. That was the trouble with people these days—they didn’t think, they didn’t use their horse sense. Why wasn’t Rayber thinkin’? Where was his horse sense? Why am I straining myself? Rayber thought irritably. “Nossir!” the barber said. “Big words don’t do nobody no good. They don’t take the place of thinkin’.” “Thinking!” Rayber shouted. “You call yourself thinking?” “Listen,” the barber said, “do you know what Hawk told them people at Tilford?” At Tilford Hawk had told them that he liked niggers fine in their place and if they didn’t stay in that place, he had a place to put ’em. How about that? Rayber wanted to know what that had to do with thinking. The barber thought it was plain as a pig on a sofa what that had to do with thinking. He thought a good many other things too, which he told Rayber. He said Rayber should have heard the Hawkson speeches at Mullin’s Oak, Bedford, and Chickerville.

Flannery O'Connor: "The Partridge Festival"

“Are you going to take notes?” Calhoun inquired in a tone heavy with irony. The girl looked around as if trying to identify the speaker. “Yes,” she said, “I’m going to take notes.” “You appreciate this sort of thing?” Calhoun asked in the same tone. “You enjoy it?” “It makes me vomit,” she said, “I’m going to finish it off with one swift literary kick.” The boy looked at her blankly. “Don’t let me interfere with your pleasure in it,” she said, “but this whole place is false and rotten to the core.” Her voice came with a hiss of indignation. “They prostitute azaleas!” Calhoun was astounded. After a moment he recovered himself. “It takes no great mind to come to that conclusion,” he said haughtily. “What requires insight is finding a way to transcend it.” “You mean a form to express it in.” “It comes to the same thing,” he said.

Alexander Pope's "A Little Learning"

  A Little Learning   A little learning is a dangerous thing ; Drink deep, or taste not the Pierian spring : There shallow draughts intoxicate the brain, And drinking largely sobers us again. Fired at first sight with what the Muse imparts, In fearless youth we tempt the heights of Arts ; While from the bounded level of our mind Short views we take, nor see the lengths behind, But, more advanced, behold with strange surprise New distant scenes of endless science rise ! So pleased at first the towering Alps we try, Mount o’er the vales, and seem to tread the sky ; The eternal snows appear already past, And the first clouds and mountains seem the last ; But those attained, we tremble to survey The growing labours of the lengthened way ; The increasing prospect tires our wandering eyes, Hills peep o’er hills, and Alps on Alps arise !

American Dipper near Mt Baldy

 

Charles B Brown: Alcuin

My dear Madam, you mistake me. Artists may want skill; historians may be partial. Far be it from me to applaud the malignant or the stupid. Ignorance and envy are no favourites of mine, whether they have or have not a chin to be shaved: but nothing would be more grossly absurd, than to suppose these defects to be peculiar to female artists, or the historians of the tea-table.

Tri-colored Heron @ Bolsa Chica

 

Edgar Huntly

Several days passed, and no tidings could be procured of him. His absence was a topic of general speculation, but was a source of particular anxiety to no one but myself. My apprehensions were surely built upon sufficient grounds. From the moment that we parted, no one had seen or heard of him. What mode of suicide he had selected, he had disabled us from discovering, by the impenetrable secrecy in which he had involved it. In the midst of my reflections upon this subject, the idea of the wilderness occurred. Could he have executed his design in the deepest of its recesses? These were unvisited by human footsteps, and his bones might lie for ages in this solitude without attracting observation. To seek them where they lay, to gather them together and provide for them a grave, was a duty which appeared incumbent on me, and of which the performance was connected with a thousand habitual sentiments and mixed pleasures.

Happy Halloween 2025

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Edgar Huntly

Oh for words to paint that stormy transition! I loosed my hold of the dagger. I started back, and fixed eyes of frantic curiosity on the author of my rescue. He that interposed to arrest my deed, that started into being and activity at a moment so pregnant with fate, without tokens of his purpose or his coming being previously imparted, could not, methought, be less than divinity.

Charles B Brown: Edgar Huntly

At this period of his narrative, Clithero stopped. His complexion varied from one degree of paleness to another. His brain appeared to suffer some severe constriction. He desired to be excused, for a few minutes, from proceeding. In a short time he was relieved from this paroxysm, and resumed his tale with an accent tremulous at first, but acquiring stability and force as he went on: —

Charles B Brown: Edgar Huntly

By nightfall I was within ten miles of my uncle’s house. As the darkness increased, and I advanced on my way, my sensations sunk into melancholy. The scene and the time reminded me of the friend whom I had lost. I recalled his features, and accents, and gestures, and mused with unutterable feelings on the circumstances of his death.

Charles B Brown: Memoirs of Carwin the Biloquist

Confide not in the firmness of your principles, or the stedfastness of your integrity. Be always vigilant and fearful. Never think you have enough of knowledge, and let not your caution slumber for a moment, for you know not when danger is near.

Tricolored Heron @ Bolsa Chica

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Tricolored Heron @ Bolsa Chica (this AM): Finally 'im!!! Saw him at sunrise (too far away for good pics), then miracle-on-miracle he was at the bridge  after I finished my usual "loop." Lifer. ;)💗 TGIF. Enjoy family & friends. GO BLUE!!!💙 #rlswihart #bolsachica  #heronsofinstagram  #wontyoustay  #tricoloredheron  #poetry #nature #beauty #tgif #readmorepoetry2025💗

The Old Man and the Sea

What I will do if he decides to go down, I don’t know. What I’ll do if he sounds and dies I don’t know. But I’ll do something. There are plenty of things I can do. He held the line against his back and watched its slant in the water and the skiff moving steadily to the north-west. This will kill him, the old man thought. He can’t do this forever. But four hours later the fish was still swimming steadily out to sea, towing the skiff, and the old man was still braced solidly with the line across his back.

Hemingway: The Old Man and the Sea

He was asleep in a short time and he dreamed of Africa when he was a boy and the long golden beaches and the white beaches, so white they hurt your eyes, and the high capes and the great brown mountains. He lived along that coast now every night and in his dreams he heard the surf roar and saw the native boats come riding through it. He smelled the tar and oakum of the deck as he slept and he smelled the smell of Africa that the land breeze brought at morning. Usually when he smelled the land breeze he woke up and dressed to go and wake the boy. But tonight the smell of the land breeze came very early and he knew it was too early in his dream and went on dreaming to see the white peaks of the Islands rising from the sea and then he dreamed of the different harbours and roadsteads of the Canary Islands. He no longer dreamed of storms, nor of women, nor of great occurrences, nor of great fish, nor fights, nor contests of strength, nor of his wife. He only dreamed of places now and of the...

The Unbearable Lightness of Being

They came back towards evening. Tomas went into the garden. He found the lines of the rectangle that Tereza had drawn with her heel between the two apple trees. Then he started digging. He kept precisely to her specifications. He wanted everything to be just as Tereza wished. She stayed in the house with Karenin. She was afraid of burying him alive. She put her ear to his mouth and thought she heard a weak breathing sound. She stepped back and seemed to see his breast moving slightly. (No, the breath she heard was her own, and because it set her own body ever so slightly in motion, she had the impression the dog was moving.) She found a mirror in her bag and held it to his mouth. The mirror was so smudged she thought she saw drops on it, drops caused by his breath. “Tomas! He’s alive!” she cried, when Tomas came in from the garden in his muddy boots. Tomas bent over him and shook his head. They each took an end of the sheet he was lying on, Tereza the lower end, Tomas the upper. Then t...

The Unbearable Lightness of Being

Yes, said Franz to himself, the Grand March goes on, the world’s indifference notwithstanding, but it is growing nervous and hectic: yesterday against the American occupation of Vietnam, today against the Vietnamese occupation of Cambodia; yesterday for Israel, today for the Palestinians; yesterday for Cuba, tomorrow against Cuba—and always against America; at times against massacres and at times in support of other massacres; Europe marches on, and to keep up with events, to leave none of them out, its pace grows faster and faster, until finally the Grand March is a procession of rushing, galloping people and the platform is shrinking and shrinking until one day it will be reduced to a mere dimension-less dot.

The Unbearable Lightness of Being

The fantasy of the Grand March that Franz was so intoxicated by is the political kitsch joining leftists of all times and tendencies. The Grand March is the splendid march on the road to brotherhood, equality, justice, happiness; it goes on and on, obstacles notwithstanding, for obstacles there must be if the march is to be the Grand March. The dictatorship of the proletariat or democracy? Rejection of the consumer society or demands for increased productivity? The guillotine or an end to the death penalty? It is all beside the point. What makes a leftist a leftist is not this or that theory but his ability to integrate any theory into the kitsch called the Grand March.

Stalin's Son Yakov

Yakov Iosifovich Dzhugashvili [ a ]  (31 March [ O.S.  18 March] 1907 – 14 April 1943) was the eldest son of  Joseph Stalin , and the only child of Stalin's first wife,  Kato Svanidze , who died nine months after his birth. Death edit On 14 April 1943, Dzhugashvili died at the Sachsenhausen camp. Initially, the details of his death were disputed: one account had him running into the  electric fence  surrounding the camp. [ 39 ]  However, it had also been suggested that he was shot by the Germans; Kun speculated that it is "conceivable that he committed suicide: he had suicidal tendencies in his youth". [ 29 ] Upon hearing of his son's death, Stalin reportedly stared at his photograph; he would later soften his stance towards Dzhugashvili, saying he was "a real man" and that "fate treated him unjustly." [ 39 ]  Meltzer would be released in 1946 and re-united with Galina, though the years apart had made Galina distant from her mother. [ 40...

The Unbearable Lightness of Being

Not until 1980 were we able to read in the Sunday Times how Stalin’s son, Yakov, died. Captured by the Germans during the Second World War, he was placed in a camp together with a group of British officers. They shared a latrine. Stalin’s son habitually left a foul mess. The British officers resented having their latrine smeared with shit, even if it was the shit of the son of the most powerful man in the world. They brought the matter to his attention. He took offense. They brought it to his attention again and again, and tried to make him clean the latrine. He raged, argued, and fought. Finally, he demanded a hearing with the camp commander. He wanted the commander to act as arbiter. But the arrogant German refused to talk about shit. Stalin’s son could not stand the humiliation. Crying out to heaven in the most terrifying of Russian curses, he took a running jump into the electrified barbed-wire fence that surrounded the camp. He hit the target. His body, which would never again mak...

The Amazing Cooper's Hawk

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Cooper's Hawk (with all the moves) @ West San Gabriel River Parkway Nature Trail #rlswihart  #WSGRParkwayNatureTrail #SoCal #CoopersHawk #AllTheMoves #Nature #Beauty #Poetry #ReadMorePoetry2025💗

The Unbearable Lightness of Being

That was Tomas’s version of eternal return. Of course we here on earth (planet number one, the planet of inexperience) can only fabricate vague fantasies of what will happen to man on those other planets. Will he be wiser? Is maturity within man’s power? Can he attain it through repetition? Only from the perspective of such a utopia is it possible to use the concepts of pessimism and optimism with full justification: an optimist is someone who thinks that on planet number five the history of mankind will be less bloody. A pessimist is one who thinks otherwise.

The Unbearable Lightness of Being

Anyone who thinks that the Communist regimes of Central Europe are exclusively the work of criminals is overlooking a basic truth: the criminal regimes were made not by criminals but by enthusiasts convinced they had discovered the only road to paradise. They defended that road so valiantly that they were forced to execute many people. Later it became clear that there was no paradise, that the enthusiasts were therefore murderers.

The Unbearable Lightness of Being

The women thus armed with umbrellas were both young and old, but the younger among them proved the more steeled warriors. Tereza recalled the days of the invasion and the girls in miniskirts carrying flags on long staffs. Theirs was a sexual vengeance: the Russian soldiers had been kept in enforced celibacy for several long years and must have felt they had landed on a planet invented by a science fiction writer, a planet of stunning women who paraded their scorn on beautiful long legs the likes of which had not been seen in Russia for the past five or six centuries. She had taken many pictures of those young women against a backdrop of tanks. How she had admired them! And now these same women were bumping into her, meanly and spitefully. Instead of flags, they held umbrellas, but they held them with the same pride. They were ready to fight as obstinately against a foreign army as against an umbrella that refused to move out of their way.

The Unbearable Lightness of Being

CEMETERY  Cemeteries in Bohemia are like gardens. The graves are covered with grass and colorful flowers. Modest tombstones are lost in the greenery. When the sun goes down, the cemetery sparkles with tiny candles. It looks as though the dead are dancing at a children’s ball. Yes, a children’s ball, because the dead are as innocent as children. No matter how brutal life becomes, peace always reigns in the cemetery. Even in wartime, in Hitler’s time, in Stalin’s time, through all occupations. When she felt low, she would get into the car, leave Prague far behind, and walk through one or another of the country cemeteries she loved so well. Against a backdrop of blue hills, they were as beautiful as a lullaby.  For Franz a cemetery was an ugly dump of stones and bones.

The Unbearable Lightness of Being

“Don’t you like music?” Franz asked. “No,” said Sabina, and then added, “though in a different era . . .” She was thinking of the days of Johann Sebastian Bach, when music was like a rose blooming on a boundless snow-covered plain of silence. Noise masked as music had pursued her since early childhood. During her years at the Academy of Fine Arts, students had been required to spend whole summer vacations at a youth camp. They lived in common quarters and worked together on a steelworks construction site. Music roared out of loudspeakers on the site from five in the morning to nine at night. She felt like crying, but the music was cheerful, and there was nowhere to hide, not in the latrine or under the bedclothes: everything was in range of the speakers. The music was like a pack of hounds that had been sicked on her. At the time, she had thought that only in the Communist world could such musical barbarism reign supreme. Abroad, she discovered that the transformation of music into noi...

Milan Kundera: The Unbearable Lightness of Being

Something else raised him above the others as well: he had an open book on his table. No one had ever opened a book in that restaurant before. In Tereza’s eyes, books were the emblems of a secret brotherhood. For she had but a single weapon against the world of crudity surrounding her: the books she took out of the municipal library, and above all, the novels. She had read any number of them, from Fielding to Thomas Mann. They not only offered the possibility of an imaginary escape from a life she found unsatisfying; they also had a meaning for her as physical objects: she loved to walk down the street with a book under her arm. It had the same significance for her as an elegant cane for the dandy a century ago. It differentiated her from others.

Shyness & Dignity

And it was her he was thinking of now, standing at the Bislett traffic circle, his hand bloody (ridiculous) from the ribs of the umbrella and himself at his wits’ end, not knowing which way to turn as he stood in the light rain that made little splashes of mud for the passing cars. The disaster had occurred. He knew that the principal would attempt to trivialize the whole affair and have the support of the faculty, who would attempt to persuade him to continue by saying that this was something that could have happened to anyone. But it had not happened to just anyone. It had happened to him, and for him it meant that he had fallen out. Fallen out of society, quite simply. He knew he would never again set foot in Fagerborg High School. Not in any other school either, in his capacity as a teacher. How, then, would she who was his wife be able to cope? She who had just started a three-year education at the College of Social Affairs and depended on his income? For this means it’s all over,...

Shyness & Dignity

What had made a young man with such hunger for life throw himself into the study of philosophy? Do those with the greatest zest for life often choose to study philosophy? If that is so, why do the ones with the greatest hunger for life choose human thought as their field? Instead of, say, studying to be engineers? When Elias Rukla thought about this, it struck him that those of his classmates from high school who had begun to study engineering were not noted for any exceptional zest for life, even though they had chosen a profession that would set them up for becoming men of action. They were the ones who would construct and build, get the wheels to roll and the machines to run, and make the people under them obey their orders, because unless they were obeyed, the wheels would not turn, the machines not run, and the buildings not be built, one might say. But on reflection, Elias found that the classmates who had now become engineers possessed no particular appetite for life at all, the...

Shyness & Dignity

They stormed into Krølle, which was Johan Corneliussen’s favorite restaurant at the time, five minutes before the downhill race started. This basement restaurant had a TV. It was enthroned on top of a cabinet on the wall. They sat down at one of the tables for two, Johan in such a way that he could look straight at the TV set, Elias directly across from him, so that he had to turn around to look at the same TV. The downhill race in St. Anton. One after another they turned up on the screen, in helmets and Alpine gear, before they threw themselves down the mountainsides of (or among) the Alps. Heini Messner, Austria. Jean-Claude Killy, France. Franz Vogler, West Germany. Leo Lacroix, France. Martin Heidegger, Germany. Edmund Husserl, Germany. Elias Canetti, Romania. Allen Ginsberg, USA. William Burroughs, USA. Antonio Gramsci, Italy. Jean-Paul Sartre, France. Ludwig Wittgenstein, Austria. Johan Corneliussen knew the strengths and weaknesses of all the racers and continually informed Elia...

R L Swihart's Poetry and a Few Old Book Reviews

Perhaps I'm a bit late to the party, but today I thought I'd mention three book reviews that have been penned (quite generously) about some of my books throughout the years. The first two are online, so you can easily follow the links (see below): both were written by the author and co-publisher (with his wife Isabel) of the online journal Off Course , Ricardo Nirenberg. The first review Ricardo wrote was for my very first book: The Last Man (published in 2012). He writes that it's hard to decide which poem in the book is his favorite, but finally settles on "Algorithm" -- an early poem that I wrote while I was teaching high school mathematics. "It is hard or impossible to decide, yet -- for sentimental reasons, as the song goes -- I think one of my favorite pieces in this book is titled ALGORITHM." And then he includes the entire poem: ALGORITHM  Take any segment and drop out the middle third. Take the remaining thirds and repeat the process, i.e. take ...

Dag Solstad's Shyness & Dignity

In the middle of Act IV. Where Mrs. Sørbye appears in Ekdal’s home and announces that she is going to marry Werle, the merchant, and where Ekdal’s lodger Dr. Relling is present, and he read (himself, instead of asking one of his pupils to do it, which he did at times for the sake of appearances, but he preferred to do it himself): “Relling (with a slight tremor in his voice): This can’t possibly be true? Mrs. Sørbye: Yes, my dear Relling, indeed it is.” As he was reading he felt an unendurable excitement because all at once he thought he was on the track of something to which he had not previously paid any attention when trying to understand The Wild Duck. For twenty-five years he had gone through this drama by Henrik Ibsen with eighteen-year-olds in their last year of high school, and he had always had problems with Dr. Relling. He had not fully grasped what he was doing in the play. He had seen that his function was to proclaim elementary, unvarnished truths about the other character...

Ibsen: The Thirteenth at the Table

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Ibsen: The Wild Duck: Life-Illusion

Relling.  So much the worse for him. Rob the average man of his life-illusion, and you rob him of his happiness at the same stroke. [To HEDVIG, who comes in from the sitting-room.] Well, little wild-duck-mother, I'm just going down to see whether papa is still lying meditating upon that wonderful invention of his.

Ibsen and "The Claim of the Ideal"

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The Childhood Dream of Ibsen

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Rereading Ibsen's Wild Duck  as a prologue to rereading Dag Solstad's novel  Shyness & Dignity , and came across this childhood dream that the young Ibsen supposedly had. The Gustave Dore etching was a bonus.;) The Biblical Vision of Henrik Ibsen https://medium.com/christian-history-and-culture/the-biblical-vision-of-henrik-ibsen-d627a2ce758

Klaus Mann's Turning Point

From the beginning (first chapter) of Klaus Mann's autobiography: Memories are made of peculiar stuff, elusive and yet compelling, powerful and fleet. You cannot trust your reminiscences, and yet there is no reality except the one we remember. Every moment we pass through derives its meaning from the preceding one. There would be no present nor future if the past were blotted out in the minds of men. It is our capacity for recollection which stands between us and chaos — a rather fragile bulwark, we must admit.

Tonio Kroger

The music began; the couples bowed and advanced and interchanged. The assistant postmaster directed the dance; great heavens, he was actually directing it in French, and pronouncing the nasal vowels with incomparable distinction! Ingeborg Holm was dancing just in front of Tonio Kröger, in the set nearest to the glass door. She moved to and fro in front of him, stepping and turning, forward and backward; often he caught a fragrance from her hair or from the delicate white material of her dress, and he closed his eyes, filled with an emotion so long familiar to him: during all these last days he had been faintly aware of its sharp enchanting flavor, and now it was welling up once more inside him in all its sweet urgency. What was it? Desire, tenderness? envy? self-contempt? . . . Moulinet des dames! Did you laugh, fair-haired Inge, did you laugh at me on that occasion, when I danced the moulinet and made such a miserable fool of myself ? And would you still laugh today, even now when I h...

Reddish Egret @ Bolsa Chica (Video)

Yesterday: Another Morning with the Glorious (and almost always Entertaining) Reddish Egret @ Bolsa Chica. Fishing is an Art Form. Enjoy your weekend!💗 #rlswihart  #bolsa  #bolsachicawetlands  #reddishegret  #fishingisanartform #egretsofinstagram  #poetry  #nature #beauty #readmorepoetry2025💗

Mann's Tonio Kroger

A wonderful poem by Theodor Storm came into his mind: “I long to sleep, to sleep, but you must dance.” What a torment, what a humiliating contradiction it was to have to dance when one’s heart was heavy with love . . .

Death in Venice

As he beheld the sweet youthful creature who had so entranced him he felt disgust at his own aging body, the sight of his gray hair and sharp features filled him with a sense of shame and hopelessness. He felt a compulsive need to refresh and restore himself physically; he paid frequent visits to the hotel barber. Cloaked in a hairdressing gown, leaning back in the chair as the chatterer’s hands tended him, he stared in dismay at his reflection in the looking glass. “Gray,” he remarked with a wry grimace. “A little,” the man replied. “And the reason? A slight neglect, a slight lack of interest in outward appearances, very understandable in persons of distinction, but not altogether to be commended, especially as one would expect those very persons to be free from prejudice about such matters as the natural and the artificial. If certain people who profess moral disapproval of cosmetics were to be logical enough to extend such rigorous principles to their teeth, the result would be rath...

Death in Venice: Tadzio

They answered, repeatedly shouting his name or a diminutive of his name, and Aschenbach listened for this with a certain curiosity, unable to pick up anything more precise than two melodious syllables that sounded something like “Adgio” or still oftener “Adgiu,” called out with a long u at the end. The sound pleased him, he found its euphony befitting to its object, repeated it quietly to himself and turned again with satisfaction to his letters and papers.

Death in Venice

What was he doing here? He had gone completely astray. That was where he had wanted to travel. He at once gave notice of departure from his present, mischosen stopping place. Ten days after his arrival on the island, in the early morning mist, a rapid motor-launch carried him and his luggage back over the water to the naval base, and here he landed only to re-embark immediately, crossing the gangway onto the damp deck of a ship that was waiting under steam to leave for Venice.

Mann's Death in Venice

For a significant intellectual product to make a broad and deep immediate appeal, there must be a hidden affinity, indeed a congruence, between the personal destiny of the author and the wider destiny of his generation.

Little Herr Friedemann

Then suddenly, shuddering all over, he started to his feet, uttering a sobbing noise, a moan of sorrow which was somehow at the same time a cry of relief, and slowly sank to the ground in front of her. He had put his hand on hers, which had lain beside him on the seat; he clutched it now and seized the other as well; and as this little, totally deformed creature knelt there before her, quivering convulsively and burying his face in her lap, he stammered out in a hardly human, strangled voice: “But you know! You know I . . . Let me . . . I can’t go on . . . Oh my God . . . my God . . .” She did not push him away, nor did she lower her head toward him. She sat erect, leaning back slightly, and her small close-set eyes, which seemed to mirror the liquid glint of the water, stared intently straight ahead, beyond him, into the distance. And then, with a sudden violent movement, with a short, proud, scornful laugh, she had snatched her hands from his burning fingers, seized him by the arm, f...

Mann's Little Herr Friedemann

At a table immediately to the right of the door a small circle had formed around the student, who was discoursing volubly. He had asserted that more than one parallel to a given straight line could be drawn through one and the same point; Dr. Hagenström’s wife had exclaimed: “But that’s impossible!” and he was now proving his proposition so cogently that everyone was pretending to have understood it.

Bartleby

Ah, happiness courts the light, so we deem the world is gay; but misery hides aloof, so we deem that misery there is none.

Bartleby

Meanwhile Bartleby sat in his hermitage, oblivious to everything but his own peculiar business there. Some days passed, the scrivener being employed upon another lengthy work. His late remarkable conduct led me to regard his ways narrowly. I observed that he never went to dinner; indeed, that he never went anywhere. As yet I had never, of my personal knowledge, known him to be outside of my office. He was a perpetual sentry in the corner. At about eleven o'clock though, in the morning, I noticed that Ginger Nut would advance toward the opening in Bartleby's screen, as if silently beckoned thither by a gesture invisible to me where I sat. The boy would then leave the office, jingling a few pence, and reappear with a handful of ginger-nuts, which he delivered in the hermitage, receiving two of the cakes for his trouble. He lives, then, on ginger-nuts, thought I; never eats a dinner, properly speaking; he must be a vegetarian, then; but no; he never eats even vegetables, he eats n...

Melville's Bartleby

4th or 5th time. I stopped counting. Probably his best.;) * The late John Jacob Astor, a personage little given to poetic enthusiasm, had no hesitation in pronouncing my first grand point to be prudence; my next, method. I do not speak it in vanity, but simply record the fact, that I was not unemployed in my profession by the late John Jacob Astor; a name which, I admit, I love to repeat; for it hath a rounded and orbicular sound to it, and rings like unto bullion. I will freely add, that I was not insensible to the late John Jacob Astor's good opinion.

Moby Dick: Epilogue

 Epilogue  "AND I ONLY AM ESCAPED ALONE TO TELL THEE" Job.  The drama's done. Why then here does any one step forth? — Because one did survive the wreck. It so chanced, that after the Parsee's disappearance, I was he whom the Fates ordained to take the place of Ahab's bowsman, when that bowsman assumed the vacant post; the same, who, when on the last day the three men were tossed from out of the rocking boat, was dropped astern. So, floating on the margin of the ensuing scene, and in full sight of it, when the halfspent suction of the sunk ship reached me, I was then, but slowly, drawn towards the closing vortex. When I reached it, it had subsided to a creamy pool. Round and round, then, and ever contracting towards the button-like black bubble at the axis of that slowly wheeling circle, like another Ixion I did revolve. Till, gaining that vital centre, the black bubble upward burst; and now, liberated by reason of its cunning spring, and, owing to its great buoya...

Moby Dick: Last of Ch. 135

But as the last whelmings intermixingly poured themselves over the sunken head of the Indian at the mainmast, leaving a few inches of the erect spar yet visible, together with long streaming yards of the flag, which calmly undulated, with ironical coincidings, over the destroying billows they almost touched; — at that instant, a red arm and a hammer hovered backwardly uplifted in the open air, in the act of nailing the flag faster and yet faster to the subsiding spar. A sky-hawk that tauntingly had followed the main-truck downwards from its natural home among the stars, pecking at the flag, and incommoding Tashtego there; this bird now chanced to intercept its broad fluttering wing between the hammer and the wood; and simultaneously feeling that etherial thrill, the submerged savage beneath, in his death-gasp, kept his hammer frozen there; and so the bird of heaven, with archangelic shrieks, and his imperial beak thrust upwards, and his whole captive form folded in the flag of Ahab, we...

Moby Dick: Ahab, Starbuck, Stubb

"Starbuck, of late I've felt strangely moved to thee; ever since that hour we both saw — thou know'st what, in one another's eyes. But in this matter of the whale, be the front of thy face to me as the palm of this hand — a lipless, unfeatured blank. Ahab is for ever Ahab, man. This whole act's immutably decreed. 'Twas rehearsed by thee and me a billion years before this ocean rolled. Fool! I am the Fates' lieutenant; I act under orders. Look thou, underling! that thou obeyest mine. — Stand round me, men. Ye see an old man cut down to the stump; leaning on a shivered lance; propped up on a lonely foot. 'Tis Ahab — his body's part; but Ahab's soul's a centipede, that moves upon a hundred legs. I feel strained, half stranded, as ropes that tow dismasted frigates in a gale; and I may look so. But ere I break, yell hear me crack; and till ye hear THAT, know that Ahab's hawser tows his purpose yet. Believe ye, men, in the things called omens?...

Moby Dick: All Mankind

Ye two are the opposite poles of one thing; Starbuck is Stubb reversed, and Stubb is Starbuck; and ye two are all mankind; and Ahab stands alone among the millions of the peopled earth, nor gods nor men his neighbors! Cold, cold — I shiver! — How now? Aloft there! D'ye see him? Sing out for every spout, though he spout ten times a second!"

Moby Dick: The Delight

"The harpoon is not yet forged that ever will do that," answered the other, sadly glancing upon a rounded hammock on the deck, whose gathered sides some noiseless sailors were busy in sewing together. "Not forged!" and snatching Perth's levelled iron from the crotch, Ahab held it out, exclaiming — "Look ye, Nantucketer; here in this hand I hold his death! Tempered in blood, and tempered by lightning are these barbs; and I swear to temper them triply in that hot place behind the fin, where the White Whale most feels his accursed life!" "Then God keep thee, old man — see'st thou that" — pointing to the hammock — "I bury but one of five stout men, who were alive only yesterday; but were dead ere night. Only THAT one I bury; the rest were buried before they died; you sail upon their tomb." Then turning to his crew — "Are ye ready there? place the plank then on the rail, and lift the body; so, then — Oh! God" — advancing to...

Moby Dick: Ahab's Hat

"Your hat, your hat, sir!" suddenly cried the Sicilian seaman, who being posted at the mizen-mast-head, stood directly behind Ahab, though somewhat lower than his level, and with a deep gulf of air dividing them. But already the sable wing was before the old man's eyes; the long hooked bill at his head: with a scream, the black hawk darted away with his prize. An eagle flew thrice round Tarquin's head, removing his cap to replace it, and thereupon Tanaquil, his wife, declared that Tarquin would be king of Rome. But only by the replacing of the cap was that omen accounted good. Ahab's hat was never restored; the wild hawk flew on and on with it; far in advance of the prow: and at last disappeared; while from the point of that disappearance, a minute black spot was dimly discerned, falling from that vast height into the sea.

Moby Dick: Ch 119: The Candles

"Look aloft!" cried Starbuck. "The corpusants! the corpusants!" All the yard-arms were tipped with a pallid fire; and touched at each tri-pointed lightning-rod-end with three tapering white flames, each of the three tall masts was silently burning in that sulphurous air, like three gigantic wax tapers before an altar. "Blast the boat! let it go!" cried Stubb at this instant, as a swashing sea heaved up under his own little craft, so that its gunwale violently jammed his hand, as he was passing a lashing. "Blast it!" — but slipping backward on the deck, his uplifted eyes caught the flames; and immediately shifting his tone he cried — "The corpusants have mercy on us all!" To sailors, oaths are household words; they will swear in the trance of the calm, and in the teeth of the tempest; they will imprecate curses from the topsail-yard-arms, when most they teeter over to a seething sea; but in all my voyagings, seldom have I heard a common ...

Moby Dick

Standing between the knight-heads, Starbuck watched the Pequod's tumultuous way, and Ahab's also, as he went lurching along the deck. "I have sat before the dense coal fire and watched it all aglow, full of its tormented flaming life; and I have seen it wane at last, down, down, to dumbest dust. Old man of oceans! of all this fiery life of thine, what will at length remain but one little heap of ashes!" "Aye," cried Stubb, "but sea-coal ashes — mind ye that, Mr. Starbuck — sea-coal, not your common charcoal. Well, well; I heard Ahab mutter, 'Here some one thrusts these cards into these old hands of mine; swears that I must play them, and no others.' And damn me, Ahab, but thou actest right; live in the game, and die in it!"

Moby Dick: Oh, Pip!

Oh, Pip! thy wretched laugh, thy idle but unresting eye; all thy strange mummeries not unmeaningly blended with the black tragedy of the melancholy ship, and mocked it!

Bar-tailed Godwit @ Ballona Creek

Rare Visitor @ Ballona Creek in LA County: Bar-tailed Godwit. I got up early and saw it (Godwit is in front, Willet behind) at the beach (adjacent to creek). Lifer. #rlswihart  #ballonacreek  #thebeach #socal #bartailedgodwit #godwitsofinstagram #rarevisitor #nature #beauty #poetry #readmorepoetry2025💗

Moby Dick

Ahab seized a loaded musket from the rack (forming part of most South-Sea-men's cabin furniture), and pointing it towards Starbuck, exclaimed: "There is one God that is Lord over the earth, and one Captain that is lord over the Pequod. — On deck!"

Moby Dick

Seat thyself sultanically among the moons of Saturn, and take high abstracted man alone; and he seems a wonder, a grandeur, and a woe. But from the same point, take mankind in mass, and for the most part, they seem a mob of unnecessary duplicates, both contemporary and hereditary. But most humble though he was, and far from furnishing an example of the high, humane abstraction; the Pequod's carpenter was no duplicate; hence, he now comes in person on this stage.

Elephant Seals: The Big Boys

 

Moby Dick: Ch. 93: The Castaway

Now upon the second lowering, the boat paddled upon the whale; and as the fish received the darted iron, it gave its customary rap, which happened, in this instance, to be right under poor Pip's seat. The involuntary consternation of the moment caused him to leap, paddle in hand, out of the boat; and in such a way, that part of the slack whale line coming against his chest, he breasted it overboard with him, so as to become entangled in it, when at last plumping into the water. That instant the stricken whale started on a fierce run, the line swiftly straightened; and presto! poor Pip came all foaming up to the chocks of the boat, remorselessly dragged there by the line, which had taken several turns around his chest and neck. Tashtego stood in the bows. He was full of the fire of the hunt. He hated Pip for a poltroon. Snatching the boat-knife from its sheath, he suspended its sharp edge over the line, and turning towards Stubb, exclaimed interrogatively, "Cut?" Meantime ...

Moby Dick: Ch 64: Stubb's Supper

The whole of Ch 64: Stubb's Supper is amazing, especially the dialogue between Stubb & Fleece (the old black cook ordered to cook a shark steak and preach to the sharks) -- and I'd totally forgotten it. Just a tidbit, cut from the end: But Fleece had hardly got three paces off, when he was recalled. "Cook, give me cutlets for supper to-morrow night in the mid-watch. D'ye hear? away you sail, then. — Halloa! stop! make a bow before you go. — Avast heaving again! Whale-balls for breakfast — don't forget."  "Wish, by gor! whale eat him, 'stead of him eat whale. I'm bressed if he ain't more of shark dan Massa Shark hisself," muttered the old man, limping away; with which sage ejaculation he went to his hammock.

Moby Dick

Close to our bows, strange forms in the water darted hither and thither before us; while thick in our rear flew the inscrutable sea-ravens. And every morning, perched on our stays, rows of these birds were seen; and spite of our hootings, for a long time obstinately clung to the hemp, as though they deemed our ship some drifting, uninhabited craft; a thing appointed to desolation, and therefore fit roosting-place for their homeless selves. And heaved and heaved, still unrestingly heaved the black sea, as if its vast tides were a conscience; and the great mundane soul were in anguish and remorse for the long sin and suffering it had bred.

Moby Dick: Sulphur Bottom Whale

Re the Sulphur-Bottom (Blue) Whale in Melville's time: BOOK I. (FOLIO), CHAPTER VI. (SULPHUR-BOTTOM). — Another retiring gentleman, with a brimstone belly, doubtless got by scraping along the Tartarian tiles in some of his profounder divings. He is seldom seen; at least I have never seen him except in the remoter southern seas, and then always at too great a distance to study his countenance. He is never chased; he would run away with rope-walks of line. Prodigies are told of him. Adieu, Sulphur Bottom! I can say nothing more that is true of ye, nor can the oldest Nantucketer.

Moby Dick

Finally: It was stated at the outset, that this system would not be here, and at once, perfected. You cannot but plainly see that I have kept my word. But I now leave my cetological System standing thus unfinished, even as the great Cathedral of Cologne was left, with the crane still standing upon the top of the uncompleted tower. For small erections may be finished by their first architects; grand ones, true ones, ever leave the copestone to posterity. God keep me from ever completing anything. This whole book is but a draught — nay, but the draught of a draught. Oh, Time, Strength, Cash, and Patience!

Moby Dick: Ch. 23

CHAPTER 23. The Lee Shore.  Some chapters back, one Bulkington was spoken of, a tall, newlanded mariner, encountered in New Bedford at the inn. When on that shivering winter's night, the Pequod thrust her vindictive bows into the cold malicious waves, who should I see standing at her helm but Bulkington! I looked with sympathetic awe and fearfulness upon the man, who in mid-winter just landed from a four years' dangerous voyage, could so unrestingly push off again for still another tempestuous term. The land seemed scorching to his feet. Wonderfullest things are ever the unmentionable; deep memories yield no epitaphs; this six-inch chapter is the stoneless grave of Bulkington. Let me only say that it fared with him as with the storm-tossed ship, that miserably drives along the leeward land. The port would fain give succor; the port is pitiful; in the port is safety, comfort, hearthstone, supper, warm blankets, friends, all that's kind to our mortalities. But in that gale, t...