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Two "Clips" from J.M. Coetzee's "Disgrace"
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There were certainly many more "clips," but I read it quickly and was perhaps a bit lazy. I also watched the film (for the first time), trying to compare. Though I love Coetzee for his language, his stories always seem a bit too contrived. But who am I to criticize. *** Although he devotes hours of each day to his new discipline, he finds its first premise, as enunciated in the Communications 101 handbook, preposterous: ‘Human society has created language in order that we may communicate our thoughts, feelings and intentions to each other.’ His own opinion, which he does not air, is that the origins of speech lie in song, and the origins of song in the need to fill out with sound the overlarge and rather empty human soul. * He continues to teach because it provides him with a livelihood; also because it teaches him humility, brings it home to him who he is in the world. The irony does not escape him: that the one who comes to teach learns the keenest of lessons, whil...
J. M. Synge's "In Wicklow and West Kerry"
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It was the law at that time that if there was sickness on any person in the town of Sligo you should notice it to the Governors, or you'd be put up in the gaol. Well, a man's wife took sick, and he went and noticed it. They came down then with bands of men they had, and took her away to the sick-house, and he heard nothing more till he heard she was dead, and was to be buried in the morning. At that time there was such fear and hurry and dread on every person, they were burying people they had no hope of, and they with life within them. My man was uneasy a while thinking on that, and then what did he do, but slip down in the darkness of the night and into the dead-house, where they were after putting his wife. There were beyond twoscore bodies, and he went feeling from one to the other. Then I suppose his wife heard him coming—she wasn't dead at all—and "Is that Michael?" says she. "It is then," says he; "and, oh, my poor woman, have you your last...